Emily Atef’s latest feature is something of a curate’s egg, a well-made foray into high-end romantic lit that’s saddled with some off-putting baggage about the reunification of Germany post-1989.
The Berlin Film Festival competition entry is clearly personal to the novel’s writer, Daniela Krien, who was born, mid-’70s into the former GDR, and it does offer a layer of quirky detail, such as an unnerving car crash involving what looks to be Trabant.
But for a film that shows a lot of naked flesh and spends a lot of time documenting a young woman’s complicated sexual awakening, the political table-talk can be distracting and even wearying, notably on the occasion when a whole (recently reunited) family bursts into “The Song of The Peat Bog Soldiers.“ The year is 1990, and the young woman in question is 18-year-old Maria (Marlene Burow), who has moved away from her divorced mother to spend time with her boyfriend Johannes (Cedric Eich) on his parents’ farm.
She chips in with the chores, but it’s clear that her heart isn’t really in it (“She’s sweet, but farm life isn’t for her,” notes Johannes’ mother).
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