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Taylor Swift

Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.

Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.

Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.

Warner Bros
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. and abbreviated as WB), is an American diversified multinational mass media and entertainment conglomerate headquartered at the Warner Bros. Studios complex in Burbank, California, and a division of AT&T's WarnerMedia. Founded in 1923 by brothers Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games, and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA).
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‘We’re Still Here’: How AMC Theatres Is Struggling With $4.5 Billion in Debt and Surviving Thanks to Taylor Swift, Viral Popcorn Buckets and More

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variety.com

Adam Aron, the CEO of AMC Theatres, gives me a choice. We’re supposed to have a 20-minute interview in Las Vegas atCinemaCon, a four-day gathering of movie theater owners and Hollywood studios designed to breathlessly hype the year’s upcoming blockbusters, but he’s distracted.

Executives from Warner Bros. want him to come backstage before their presentation to schmooze with the filmmakers they brought to Caesars Palace. (Aron doesn’t care about hobnobbing with directors, he stresses, but “they like to meet me.”) So here are my options: Stick to the plan, with Aron’s mind flittering elsewhere, or cancel other commitments to get dinner and much more time on the record.

The second choice, a publicist’s nightmare, makes it more likely that the AMC chief will say something controversial. But Aron has endured a pandemic that shut down his business, withstood roller-coaster share prices and sidestepped nagging speculation that he’s about to get canned.

He thrives on risk. Hours later, we’re at Carmine’s, a family-style Italian restaurant that Aron loves. Over comically large portions of lemon chicken and angel hair pasta glistening with butter (and marinara sauce on the side), along with enough iced tea to hydrate Sin City, Aron opens up about the challenges facing AMC and the moves he’s making to keep the chain afloat as it struggles under a $4.5 billion debt.

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