There has been a lot of talk in recent years about cooking as a form of care, an idea intrinsically linked to the feminist revaluation of the work usually performed by women, which is most often unremunerated yet essential to day-to-day living.
In cinema, this has translated to a surge of interest among film writers around the place and representation of cooking and eating on screen; a focus that represents another avenue for reclaiming a place for women within cinema, and, more generally, for recognizing that dynamics of care (as opposed to violence or exploitation) are all around us already, if we only look.
Continue reading ‘The Pot-Au-Feu’ Review: Tran Anh Hung Returns With An Awe-Inspiring Ode To Pleasure In All Its Forms [Cannes] at The Playlist..
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