Only Tom Cruise can save Hollywood from a summer of box office bombs

Tom Cruise turns 61 on Monday, marking more than four decades since he broke on to the Hollywood scene and started his ascension to the mega-famous movie star we know today.Born on July 3, 1962, in Syracuse, New York, Cruise got his start in bit movie parts before a breakout year in 1983, in which he starred in and his breakthrough hit, But it was in the 1990s when Cruise began to hit his stride as box office magic. From 1992-96, he made history when he starred in five consecutive movies that grossed $100 million or more in the United States: and .His starring role as Ethan Hunt in has also been a blockbuster boon.

Reuters. The decision was based on a scene that depicts a map with the “nine-dash line,” a representation of China’s territorial claims in the South China Sea, which Vietnam says violates its sovereignty.

Before Greta Gerwig and Margot Robbie captured the zeitgeist with their Warner Bros-backed Barbie, the popular doll was the subject of a much darker indie pic directed by Todd Haynes.

Nick Vivarelli International Correspondent Dubai-based pay-TV and streamer OSN launched its rebranded OSN+ streaming service in March 2022 — and then lost some momentum when Disney+, the following June, pulled out its premium content and started a standalone platform in the Middle East. However, OSN remains a leading small-screen outlet for prime Hollywood scripted fare in 22 territories across the Middle East and North Africa. In March 2023, they extended their relationship with Warner Bros. Discovery, forging a new multi-year licensing deal that makes them the exclusive home for HBO content such as “Succession” in the region. And, they’ve retained exclusive rights to Paramount+ shows, plus a slate of Sky Studios and Peacock Originals produced by NBC Universal — among other Hollywood deals firmly in place — as well as recently expanding their exclusive partnership with ITV Studios in the U.K.

Naman Ramachandran Losing streaming rights to the lucrative Indian Premier League (IPL) cricket tournament has been a blessing in disguise for Indian market leader Disney+ Hotstar, an Ampere Analysis study reveals. Disney won broadcasting rights but ceded streaming rights to rival JioCinema, owned by billionaire Mukesh Ambani. Ampere estimates that this “saved the company a figure just short of twice its entire streaming revenue from the past five years.” Despite recent subscriber declines, Disney+ Hotstar still leads the market and holds a 29% streaming market share, Ampere said. As of the first quarter of 2023, Disney+ Hotstar had some 50 million subscriptions, far higher than other global SVODs in India including Amazon Prime Video (12.4 million) and Netflix (6.2 million). However, that compares with some 61 million subscribers in October 2022.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

2020’s social media blackout that was supposed to be in support of the BLM movement.Disney’s chief diversity officer and senior vice president Latondra Newton, a six-year veteran, was the first of the four to go. On June 20, the company said that Newton was leaving to pursue “other endeavors.” Predictably, her exit was celebrated by a faction of people who blamed her for “The Little Mermaid’s “woke” casting of Black actress and singer Halle Bailey.

Brian Cox is weighing in on the future of Turner Classic Movies (TCM) after executive changes at the cable network made Hollywood worry Warner Bros. Discovery was ready to pull the plug.

J. Kim Murphy Indiana Jones has begun his last box office crusade, with the fifth franchise entry earning $24 million on its opening day from 4,600 theaters. It’s a figure that includes $7.2 million in previews in Thursday previews. The action-adventure film from Disney and Lucasfilm is expected to debut near the bottom of projections, projecting a three-day opening of $60 million or so. It’ll be more than enough for the Harrison Ford finale to land in the top spot on domestic charts, setting itself up to draw crowds through the Fourth of July holiday — but it’s not exactly the victorious tone-setter for one of the 20 or so most expensive blockbusters ever made. With a whopping $295 million production budget, “Indiana Jones 5” faces quite the trek to theatrical profitability.

SPOILER ALERT: Major plot points are revealed below — so don’t say we didn’t warn you.Put on your fedoras and crank out your bullwhip because Indiana Jones is taking you on another wild ride. But there’s one noteworthy character missing from the fifth installment of the iconic action-adventure franchise.“Indiana Jones and the Dial of Destiny” has finally swung its way into theaters and a lot has changed since the last time viewers saw Harrison Ford’s archeologist.The character previously appeared in the series’ fourth flick, 2008’s “Kingdom of the Crystal Skull,” which also featured Indiana’s son, Mutt Williams, played by Shia LaBeouf, as they set off on another historical quest in 1957.However, in “Dial,” Mutt is noticeably absent — with his storyline all tied up.The newest installment takes place in 1969, amid the turmoil of the Vietnam War, and shows Indy — still a professor and now teaching at Hunter College but on the verge of retirement — shockingly living alone in a small apartment in Manhattan.

Selome Hailu Ahead of the July 21 release of “Barbie,” Warner Bros. Discovery and Mattel have partnered with humanitarian organization Save the Children to launch a girls’ empowerment initiative. “Barbie” stars Margot Robbie, America Ferrera, Kate McKinnon, Simu Liu and Will Ferrell appear in a text-to-donate PSA that will air across WBD’s linear, digital and social platforms to raise money for Save the Children, which is working to connect girls around the world to educational resources. Additionally, there will be an in-show integration on HGTV’s “Barbie Dreamhouse Challenge” as well as consumer activations through different brand partnerships and a charity auction that features tickets to the Los Angeles and London premieres of the movie.

Greg Tarzan Davis learned an important lesson from working with Tom Cruise.

Tom Cruise is proving he really can do anything.

Jordan Moreau Harrison Ford is gearing up for his last adventure as Indiana Jones with $7.2 million in previews at the domestic box office. “Indiana Jones and the Dial of Destiny” opens in 4,600 theaters this weekend heading into the Fourth of July holiday on Tuesday. “Dial of Destiny,” Disney and Lucasfilm’s fifth and final film in the franchise, is expected to whip up $65 million in its opening weekend, a solid start except for the fact that the movie carries a massive $295 million budget. A portion of that went to de-aging special effects, which turned 80-year-old star Ford back into his younger self for the movie, which partly takes place during Indy’s early years. The $295 million budget does not include marketing costs to promote the film, such as an exorbitant Cannes Film Festival premiere and afterparty. Indiana Jones has overcome some eye-popping odds in his adventures, and “Dial of Destiny” turning a profit may be his greatest challenge yet.

Warner Bros.’ “Barbie” and Universal’s “Oppenheimer,” two films that have captured the internet’s imagination with their shared July 21 release, have hit box office tracking with early projections expecting solid results for both films. “Barbie,” as long expected, is projected to take No. 1 that weekend with a $70 million-plus opening.

Barbie.” Currently, you can pre-order a Barbie-themed Xbox that you can play in your Barbie painted home (part of the movie’s partnership with Backdrop paint) and sleep in a bed with Barbie pillows (as part of their partnership with online retailer Kitsch). And don’t forget to protect all that with a home insurance policy courtesy of Progressive, whose new commercial takes place in Barbie’s Dreamhouse! And that’s just the few that pop up on TV, Twitter and Instagram feeds in the last 48 hours. It’s not precisely known how many active “Barbie” partnerships are currently out there, but “Barbie” mania is upon us — and it’s impressing everyone in Hollywood.

With July just around the corner, it’s time for the summer movie showdown moviegoers have been waiting for: Greta Gerwig‘s “Barbie” versus Christopher Nolan‘s “Oppenheimer.” And Hollywood already has speculations on which of those films will come out on top on their opening weekend. Deadline reports that Warner Bros.

The campy romp Cocaine Bear and buzzy comedy series Only Murders in the Building nabbed four trophies apiece and Christopher Nolan’s upcoming Oppenheimer took three at the 23rd annual Golden Trailer Awards, which were handed out Thursday night in Los Angeles. See the full list of winners below.

Greg Tarzan Davis has learned a thing or two from working with Tom Cruise on not just one blockbuster film — -- but on another one as well: . And, above all else, accountability's what immediately comes to mind when it comes to lessons learned from the veteran action star.ET interviewed Davis at the Baha Mar Resort in the Bahamas, from where Entertainment Tonight is broadcasting from this week, and he spoke to Nischelle Turner about what he's learned from Cruise and how he applies it to his own life.Fans will recall the alum played Lt.

It’s a battle of the ages.

Tom Cruise is bringing more death-defying stunts than ever before to In a new behind-the-scenes clip from the upcoming action flick, Cruise and director Christopher McQuarrie headed to the Lake District in northwest England to film the franchise star participating in «one of the most dangerous sports in the world,» speedflying. «While it may look similar, speedflying is not skydiving,» McQuarrie explains in the clip. «Skydiving is fairly predictable, speedflying is incredibly unpredictable.»While skydivers look for an open field to land in comfortably, for speedflyers, the point is to accelerate and spiral as close as possible to the mountains and rock formations — just feet off the ground — before landing at a high rate of speed.The intense scenes were too dangerous to film with a helicopter or drone, so the crew had to construct their own gimbal system, rigging up two cameras to track Cruise's rapid descent down the mountains, reaching speeds of up to 50 miles per hour.«It is truly a one-of-a-kind adventure,» McQuarrie says in the clip of directing Cruise through his increasingly daring stunts in thefilms.

It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21.

Next month marks a showdown between three of the year’s biggest blockbusters at the box office. First up, “Mission: Impossible – Dead Reckoning Part One” arrives on July 12, followed by Greta Gerwig‘s “Barbie” and Christopher Nolan‘s “Oppenheimer” on July 21.

Streamers such as Hulu, Disney+ and Max have made headlines for their decision to cancel shows and subsequently remove them from their services.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is gunning for the top spot on box office charts. The fifth and final adventure to star Harrison Ford as the legendary, globe-trotting explorer is targeting at least $65 million from 4,500 North American theaters in its opening weekend. The latest Indy installment is also debuting day-and-date at the international box office, where it’s aiming to add $80 million for a global start of $145 million to $150 million. Those ticket sales are decent, especially for the fourth sequel to a decades-old property that’s aimed at older audiences. But Disney spent a mind-boggling $295 million to bring the action-adventure to life. That’s not including marketing costs, such as a no-expense-spared premiere and afterparty at the Cannes Film Festival where much champagne was tippled. Even in the best circumstances, it’ll take a heroic feat — and a lot of nostalgia from long-time fans of the series — for “Indiana Jones 5” to turn a profit in its theatrical run.

Tom Brittney is sending a message to fans after losing out on the role of Clark Kent/Superman in the upcoming movie Superman: Legacy.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” swung back to pole position atop the U.K. and Ireland box office, dethroning Warner Bros.’ “The Flash” in the process. In its fourth weekend, “Spider-Man: Across The Spider-Verse” collected £1.99 million ($2.5 million) for a total of £23.4 million, according to numbers from Comscore. In its second weekend, “The Flash” took £1.3 million for a total of £6.7 million. Sony’s “No Hard Feelings” bowed in third place with £1.18 million, while Universal’s “Asteroid City” debuted close behind in fourth position with £1.17 million.

John Hopewell Chief International Correspondent TOLEDO, Spain — Warner Bros. Discovery has announced the greenlight and start of production of its first new Spanish series for Max, crime thriller  “When Nobody Sees Us,” whose eight episodes will be directed by Spain’s Enrique Urbizu (“No Rest for the Wicked”). The produced by “Elite” producer Zeta Studios.   Based on the same title novel by Sergio Sarria, “When Nobody Sees Us” has been written by lead writer Daniel Corpas (“The Ministry of Time,” “Malaka”) heading a writing team with the collaboration of Arturo Ruiz and Isa Sánchez. Set against Spain’s 2023 Holy Week celebrations, “When Nobody Sees Us,” is set in Morón de la Frontera, south east of Seville in Andalusia’s deep Spain, next to a U.S. Army Air Force base. There, Lucía Gutiérrez,  a Spanish Civil Guard sergeant, investigates the bizarre suicide of a neighbour and strange events at the first Holy Week float processions.

Elizabeth Wagmeister Chief Correspondent “The Bachelorette” launched its 20th season Monday night, marking the first season to air without franchise creator Mike Fleiss on board — except Fleiss’ name still appeared when the credits rolled. During the ending credits at the conclusion of the episode, the very last name to appear on-screen was Fleiss’ accompanied by the words “created by.” Unlike past seasons, Fleiss was not credited as an “executive producer” and his production company, Next Entertainment, was not listed. In former seasons, Fleiss’ name appeared first on the credits, instead of last.

As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.

Tom Cruise, 60, and Hayley Atwell,41, know how to promote a film! The “Mission: Impossible Dead Reckoning Part One” costars attended the film’s premiere in Dubai on June 26, and they looked amazing on the red carpet. In one of the photos, Cruise, who was reportedly interested in dating Shakira, gently greeted his costar with a kiss on the cheek.Atwell looked stunning in a satin lime gown, while Cruise looked dapper in a black suit.Atwell is newly engaged to her fiance Ned Wolfgang Kelly, but there were rumors that she was dating Cruise when they were filming in 2020.The cast of ‘Mission Impossible’ explain how they filmed without a script: ‘The story is always changing’Katie Holmes stuns in crocheted dress at the opening night of ‘Like Water For Chocolate’Suri Cruise and a friend enjoy summer in New YorkThe Christopher Robin actress shut down the speculation last month in May, telling Country & Town House, “What I feel is the truly extraordinary power of platonic love, which seems to be sometimes under-represented.” Atwell said she talked to Cruise about the rumors whenever she felt worried.

Forza Horizon 5 is getting Barbie’s iconic pink Corvette from the upcoming Barbie movie.Microsoft has revealed that Barbie will be racing into its flagship Forza game with the addition of the classic 1956 Chevrolet Corvette EV Corvette.“Bringing Barbie’s signature flair to our gaming platform, we’re honoring all that there is to love about this iconic role model,” said Kirsten Ward, the vice president of Xbox integrated marketing, in an official statement. “Her persevering optimism, wide-ranging career journey and never-ending capacity for self-discovery.However, that’s not all – you can cruise around Mexico in Ken’s 2022 GMC Hummer EV Pickup, too.Barbie… in Forza?? Check your Message Center today to receive the very special 1956 Chevrolet ‘Barbie Movie’ Corvette EV and Ken’s 2022 GMC ‘Barbie Movie’ HUMMER EV Pickup, now available for download! And see @BarbieTheMovie only in theaters July 21.

Have the “official” Bachelor Nation podcasts handed out their final roses? Becca Kufrin has announced she will not be returning to “Bachelor Happy Hour” amid speculation that the show has been canceled altogether.

Jon Hamm married his Mad Men co-star Anna Osceola this weekend at the location of the show’s 2015 series finale.Back in March reports emerged that Hamm and Osceola were engaged, having been romantically linked since 2020, and were believed to have met on the set of the show’s seventh and final season.Osceola portrayed Clementine in the show’s final episode, who works at a remote wellness retreat ad man Don Draper (Hamm) attends.In the episode, titled ‘Person To Person’, Don is on the verge of what appears to be a mental break, before he experiences enlightenment about his life and career while meditating on a hilltop.On Saturday (June 24), the couple got married at Anderson Canyon in Big Sur – the same California location where filming took place, according to photos obtained by TMZ.Hamm’s co-star, John Slattery, who played Roger Sterling in the Emmy Award-winning series, was reportedly in attendance, along with guests Larry David and Tina Fey.Since Mad Men, Hamm and Osceola starred together in the 2022 crime comedy film Confess, Fletch, alongside Marcia Gay Harden and Kyle MacLachlan.Hamm discussed his relationship with Osceola during an appearance on The Howard Stern Show last year, where he said he could see himself getting married.“I’m in a relationship right now and it’s comfortable,” Hamm said. “It’s a feeling of taking care of someone else and being taken care of.”Hamm was last year cast in a leading role in the fifth season of Fargo, alongside Juno Temple and Jennifer Jason Leigh.

William Earl In a sign of the times, long-established entertainment marketing firm M3 Creative has launched a consulting arm after numerous requests from clients for guidance on how to maintain authenticity in an AI-influenced world. Andy Meyers, director-producer and M3 Creative founder and president, said the creation of the consulting arm dubbed M3 / Target was fueled by incoming calls from longstanding industry associates. Meyers launched M3 Creative in 2003 after getting his start on the staff of “Entertainment Tonight.” The company has since produced marketing campaigns, branded content and digital content extensions of top-tier TV shows and movies from such studios and networks as Disney, ESPN, NBCUniversal, Warner Bros. Discovery, Fox, Paramount and more.