Box Office Report: ‘Spider-Man’ Stays Atop The Box Office, ‘The Flash’ Tumbles As It Barely Surpasses ‘No Hard Feelings’

“Barbie” is entering the contentious realm of global politics.

Reuters. The decision was based on a scene that depicts a map with the “nine-dash line,” a representation of China’s territorial claims in the South China Sea, which Vietnam says violates its sovereignty.

Issa Rae’s Insecure has landed on Netflix.

Before Greta Gerwig and Margot Robbie captured the zeitgeist with their Warner Bros-backed Barbie, the popular doll was the subject of a much darker indie pic directed by Todd Haynes.

Joe Otterson TV Reporter “Insecure” is now officially available to stream on Netflix, the first HBO original to launch on the streamer under a new licensing deal with Warner Bros. Discovery. It was first reported on June 20 that WBD was in talks to license some of their original shows to Netflix. In addition, the streamer has confirmed that “Band of Brothers,” “The Pacific,” “Six Feet Under,” and “Ballers” will be coming to the service at a later date. “True Blood,” which also currently streams on Hulu, will be available to Netflix subscribers outside the U.S. All of the shows remain available to stream on Max (formerly HBO Max) as well. The deal marks the latest shift in content strategy at Warner Bros. Discovery under the David Zaslav regime. In January, Warner Bros. Discovery made licensing moves by partnering with Roku and Tubi to launch free, ad-supported channels with HBO shows. The FAST channels included all seasons of shows like “Westworld,” “Raised by Wolves,” “Legendary,” “FBoy Island,” “The Nevers,” “Finding Magic Mike,” “Head of the Class,” “The Time Traveler’s Wife” and more. In 2014, HBO and Amazon reached an exclusive licensing deal to stream shows like “the Sopranos,” “Boardwalk Empire,” “True Blood” and more on Amazon Prime Video.

The Barbie movie won’t be seen in movie theaters in Vietnam.

Nick Vivarelli International Correspondent Dubai-based pay-TV and streamer OSN launched its rebranded OSN+ streaming service in March 2022 — and then lost some momentum when Disney+, the following June, pulled out its premium content and started a standalone platform in the Middle East. However, OSN remains a leading small-screen outlet for prime Hollywood scripted fare in 22 territories across the Middle East and North Africa. In March 2023, they extended their relationship with Warner Bros. Discovery, forging a new multi-year licensing deal that makes them the exclusive home for HBO content such as “Succession” in the region. And, they’ve retained exclusive rights to Paramount+ shows, plus a slate of Sky Studios and Peacock Originals produced by NBC Universal — among other Hollywood deals firmly in place — as well as recently expanding their exclusive partnership with ITV Studios in the U.K.

Naman Ramachandran Disney has licensed 10 series to Channel 4’s streaming service in the U.K. The deal, which will add some 1,000 hours of American drama to Channel 4’s streaming platform, will kick off with “Alias” seasons 1-5 and “The Americans” seasons 1-6 this summer, followed by “Empire” seasons 1-6, “Scandal” seasons 1-7, “The X Files” seasons 1-11, “Bones” seasons 1-12, “The Killing” seasons 1-4, “Star” seasons 1-3, “Grown-ish” seasons 1-6 and “Abbott Elementary” seasons 1-2. Except “Star,” all the series are available on streamer Disney+ in the U.K., which requires a monthly subscription. The Channel 4 streaming service is free.

Naman Ramachandran Losing streaming rights to the lucrative Indian Premier League (IPL) cricket tournament has been a blessing in disguise for Indian market leader Disney+ Hotstar, an Ampere Analysis study reveals. Disney won broadcasting rights but ceded streaming rights to rival JioCinema, owned by billionaire Mukesh Ambani. Ampere estimates that this “saved the company a figure just short of twice its entire streaming revenue from the past five years.” Despite recent subscriber declines, Disney+ Hotstar still leads the market and holds a 29% streaming market share, Ampere said. As of the first quarter of 2023, Disney+ Hotstar had some 50 million subscriptions, far higher than other global SVODs in India including Amazon Prime Video (12.4 million) and Netflix (6.2 million). However, that compares with some 61 million subscribers in October 2022.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

Brian Cox is weighing in on the future of Turner Classic Movies (TCM) after executive changes at the cable network made Hollywood worry Warner Bros. Discovery was ready to pull the plug.

BreAnna Bell Karen Horne has exited her post as Senior V.P. of North America Diversity Equity and Inclusion for Warner Bros. Discovery as part of the company’s restructuring. A WBD memo from Chief Global DEI Officer Asif Sadiq to staffers, which Variety has obtained, revealed the news on Friday. Horne oversaw the DEI efforts for creative talent development pipeline programs, workforce, content and production while working closely with Sadiq to craft a global strategy for the company. She joined the company in March of 2020, and was responsible for creating and implementing multiple pipeline programs that aim to amplify the voices of underrepresented communities. Prior to her appointment, Horne was at NBC Entertainment and Universal Television Studios as Senior Vice President, Programming Talent Development and Inclusion where she was responsible for overseeing in-front-of and behind-the-camera primetime diversity efforts for NBC and Universal Television. While there, she started the Late-Night Writers Workshop in 2013.

Karen Horne, who led led Warner Bros. Discovery Diversity, Equity & Inclusion for North America, is leaving the company amid a raft of layoffs and major restructuring since the merger. Executive said Horne’s departure was not part of the broader staff retrenchment but a rethinking of the DEI division.

Warner Bros. left a cloud of smoke billowing over the Burbank lot, but luckily firefighters were able to quickly contain the blaze. There were no injuries, according to an individual familiar with the incident. The fire was first reported by the Citizen app, which had video of the smoke, as well as a caption that said, “Firefighters report a burning transformer and are working to contain the blaze.” The post also said that, “Firefighters report that a power outage has occurred after an explosive sound.” The fire started right around 1:30 p.m. PT and giant clouds of black smoke quickly gathered in the air. The blaze caused lots of traffic outside the studios as a result of the fire department working quickly.

Hackman Studios has inked its latest deal, the acquisition of Vancouver Film Studios (VFS), which has housed Deadpool, The Flash, Yellowjackets among others, and related companies, Pacific Backlot and Signal Systems.

Selome Hailu Ahead of the July 21 release of “Barbie,” Warner Bros. Discovery and Mattel have partnered with humanitarian organization Save the Children to launch a girls’ empowerment initiative. “Barbie” stars Margot Robbie, America Ferrera, Kate McKinnon, Simu Liu and Will Ferrell appear in a text-to-donate PSA that will air across WBD’s linear, digital and social platforms to raise money for Save the Children, which is working to connect girls around the world to educational resources. Additionally, there will be an in-show integration on HGTV’s “Barbie Dreamhouse Challenge” as well as consumer activations through different brand partnerships and a charity auction that features tickets to the Los Angeles and London premieres of the movie.

Warner Bros.’ “Barbie” and Universal’s “Oppenheimer,” two films that have captured the internet’s imagination with their shared July 21 release, have hit box office tracking with early projections expecting solid results for both films. “Barbie,” as long expected, is projected to take No. 1 that weekend with a $70 million-plus opening.

Barbie.” Currently, you can pre-order a Barbie-themed Xbox that you can play in your Barbie painted home (part of the movie’s partnership with Backdrop paint) and sleep in a bed with Barbie pillows (as part of their partnership with online retailer Kitsch). And don’t forget to protect all that with a home insurance policy courtesy of Progressive, whose new commercial takes place in Barbie’s Dreamhouse! And that’s just the few that pop up on TV, Twitter and Instagram feeds in the last 48 hours. It’s not precisely known how many active “Barbie” partnerships are currently out there, but “Barbie” mania is upon us — and it’s impressing everyone in Hollywood.

Todd Spangler NY Digital Editor Snapchat is pinking out loud for Greta Gerwig’s “Barbie.” Warner Bros. Pictures is launching a “Barbie” AR Lens ad campaign exclusively on the social and messaging app — meaning Snapchat is the only place where you can dress up to look like Margot Robbie’s Barbie or Ryan Gosling’s Ken in fashions based on the film. The studio’s paid campaign on Snapchat launches Friday (June 30), three weeks ahead of the movie’s wide opening on July 21. Snapchat users can access the virtual Barbie wardrobe from the app’s Lens Carousel or by scanning the QR code (left). With the debut of the new Barbie Wardrobe AR Lens, Snapchatters can see themselves wearing different outfits and accessories inspired by costumes in the upcoming film. You can share the resulting pics or videos in a Snap message or a Snapchat Story (or save it to your camera roll to share via text or on other social platforms).

The campy romp Cocaine Bear and buzzy comedy series Only Murders in the Building nabbed four trophies apiece and Christopher Nolan’s upcoming Oppenheimer took three at the 23rd annual Golden Trailer Awards, which were handed out Thursday night in Los Angeles. See the full list of winners below.

It’s a battle of the ages.

Timotheé Chalamet and Zendaya are back to saving the universe in the latest “Dune: Part Two” trailer, while Austin Butler embarks on a mission to devour their mission.

It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21.

EXCLUSIVE: The Gotham Group has secured the motion picture and television rights to two YA novels.

In November, after the likes of “Mission: Impossible – Dead Reckoning Part One,” “Oppenheimer,” and “Barbie” vie for box office supremacy this summer, another blockbuster awaits: Denis Villeneuve‘s “Dune: Part Two.” If one of those three doesn’t unseat “The Super Mario Bros. Movie” as the highest-grossing film on 2023, Villeneuve’s sequel surely will.

The new Dune: Part Two trailer is finally here!

In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.

TCM while directors Paul Thomas Anderson, Steven Spielberg and Martin Scorsese will provide guidance on curation and programming scheduling, Warner Bros. Discovery announced on Wednesday. “TCM is a cultural treasure, and we are honored to help steer the future direction of this beloved brand with the partnership of three of the most iconic filmmakers of our time, Steven, Marty, and Paul.

revealed as DC’s new Superman and Lois Lane on Tuesday, it was hard to get revved up about the news.That’s not to diss the casting for 2025’s “Superman: Legacy.” Corenswet, the 29-year-old freshly minted Clark Kent, appropriately looks like a younger version ofhis predecessor Henry Cavill and was charismatic on the Netflix series “Hollywood” and “The Politician.” And 32-year-old Brosnahan, the lovable star of Amazon’s “The Marvelous Mrs. Maisel,” is ideal as his Daily Planet counterpart.I’m sure they’ll do fine.But the casting change-up didn’t come across as a major victory for Warner Bros.

Todd Spangler NY Digital Editor Warner Bros. Discovery raised the hackles of some in the film community with last month’s launch of Max — the reskinned and renamed version of HBO Max — because the new service’s content details pages consolidated writers, directors, producers and others under a single “creators” heading. Five weeks after issuing a mea culpa and promising to fix the situation, WBD has now updated the listings in Max. The updates appear to be live on platforms including the max.com website and iOS and will be rolling out across all device platforms this week. For example, on Max, Oscar-winning film “Raging Bull,” starring Robert De Niro, now includes the following listings: Directors: Martin Scorsese; Writers: Paul Schrader, Mardik Martin; Producers: Irwin Winkler, Robert Chartoff; Based on Source Material by: Jake La Motta, Joseph Carter, Peter Savage. When Max launched on May 23, the service grouped all of those individuals under a single “creators” heading.

After two full weekends of a decidedly underwhelming release, it’s not hyperbole to say “The Flash” is an unmitigated box office disaster for Warner Bros. Discovery.

CNN is exploring ways to put more of its news offerings on Warner Bros. Discovery’s Max, with a report that plans are in the works to offer live programming on the platform outside the U.S.

Brian Steinberg Senior TV Editor After spending months keeping CNN from expanding into streaming, parent company Warner Bros. Discovery appears to have changed its mind. Warner Bros. Discovery is exploring ways to get more CNN programing on to its Max streaming service, according to a person familiar with the matter, looking at the news outlet’s broader portfolio to see what content might work. Executives will have to navigate agreements with CNN’s traditional distributors that often require cable and satellite companies get first access to CNN’s live broadcasts. Yet CNN’s rivals have grappled with similar obstacles and found ways to repurpose the news and opinion shows they run. The Fox Nation streaming outlet runs Fox News Channel’s opinion programs a day later. Fox News in 2020 unveiled a new international service that puts its programs in countries such as Mexico and Spain. MSBNC in March of last year unveiled a plan to offer episodes of “Morning Joe,” “Deadline: White House,” “The Beat with Ari Melber,” “The ReidOut,” “All In with Chris Hayes” and MSNBC’s opinion programs on the Peacock streaming hub on-demand the day after they air on cable.

Jennifer Maas TV Business Writer Warner Bros. Discovery has walked back its decision to cut longtime Turner Classic Movies programming exec Charles Tabesh following a PR black eye over dramatic cost-cutting changes at the beloved cable network, and announced a partnership with filmmakers Steven Spielberg, Martin Scorsese and Paul Thomas Anderson to help curate content at TCM. Tabesh, a 25-year TCM executive who had been slated to leave as part of the downsizing of TCM staff, will now stay in his post and report to Warner Bros. film chiefs Mike De Luca and Pam Abdy, who Variety previously reported were slated to take oversight of the operations at the network.

Over the past week, you’ve likely heard the outcry from filmmakers and film fans about the uncertain fate of TCM under the Warner Bros. Discovery regime.

Manori Ravindran Executive Editor of International Top editors are rallying behind Poland’s independent media as it comes under increased scrutiny from the country’s right-wing, nationalist government. In a joint statement, the editors in chief of local outlets such as Fakt, Polityka and Gazeta Radomszczańska as well as international media such as Forbes and Canal+, have said they “declare our unwavering dedication to stand firm and defend the independence of Polish journalism.” “Newsrooms under our leadership will exhibit solidarity and resolutely inform the public about any attempts by the ruling party to exert influence over the media,” reads the statement.