Happy Hour: Celebs Rumors

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‘Golden Bachelor’ Gerry Turner files for divorce from Theresa Nist after 3 months of marriage

filed for divorce from his wife of three months, Theresa Nist, 70, The Post can confirm. Turner filed the legal docs Friday in his hometown of Petersburg, Indiana. In docs obtained by The Post, Turner listed the couple’s date of separation as April 12 and states “the marriage of the parties should be dissolved because of irretrievable breakdown.” In Indiana, a divorce based on irretrievable breakdown of the marriage is known as a “no-fault” divorce and is not grounded upon wrong-doing or marital misconduct of the husband or wife.
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Japanese Streaming Service Launches With Hamaguchi Pic; Uncork’d Buys Spanish Thriller – Global Briefs
EXCLUSIVE: Los Angeles-based Synepic Entertainment is launching Sakka, a streaming service specializing in Japanese cinema. The platform will debut in North America and select further territories in early May, the company said. At launch, it will feature five movies: Happy Hour, the 2015 movie from recent Oscar nominee Ryusuke Hamaguchi; Shô Miyake’s 2018 feature And Your Bird Can Sing; Seiji Tanaka’s 2018 film Melancholic; Chihiro Amano’s 2019 pic Mrs Noisy; and Hajime Tsuda’s 2020 drama Daughters. Synepic said it was focusing on independent films and would be acquiring two further titles later in the summer. The company is also looking to host in-person screenings of films it acquires. “We are beyond proud to create this unique platform for Japanese films of new generations,” commented Chiaki Yanagimoto, the president of Synepic Entertainment and the founder of the platform. “There are many Japanese films that unfortunately don’t see their full potential outside of Japan because of the traditional distribution system there. After the win of Drive My Car, several critics pointed out that the Japanese system is outdated and indifferent to the international market. It is time to change that narrative and find new ways to share these inspiring works coming from Japan, and create a platform that truly cares about the films and the filmmakers.”
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