‘Mission: Impossible 7’ Plots Course for $78 Million 5-Day Box Office Start

J. Kim Murphy Greta Gerwig’s hot pink fantasia “Barbie” and Christopher Nolan’s intricately bleak historical drama “Oppenheimer” are both putting up box office openings to remember. In a summer movie season that has largely failed to keep spirits up, two bona fide blockbusters are showing that everyone can be a winner. But the more winning winner between the two — the number one movie in North America — is Warner Bros. Discovery’s “Barbie.” After scoring $22.2 million on Thursday, the highest preview ticket sales of the year, the big screen bonanza about Mattel’s ubiquitous doll kept the superlatives going on Friday, adding another $48.2 million from 4,243 theaters. That’s a $70.5 million total — the biggest opening day of the year, blasting past the $51.8 million earned by “Spider-Man: Across the Spider-Verse” in June.

Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.The films have been the subject of particular attention for coming out on the same day, with many people attempting to see both in the space of 24 hours.As things stand, Greta Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million(£89.1million) in 2017.Warner Bros confirmed yesterday (July 21) that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

Clayton Davis Senior Awards Editor The Toronto Film Festival is at a critical moment after three difficult years following the COVID-19 pandemic, but “the festival will take place,” says Cameron Bailey, CEO of TIFF. TIFF has typically been a star-studded affair and staple of awards season. However, what the red carpets at the gala premieres and tribute ceremonies that have gone to significant A-listers like Kate Winslet will ultimately look like, remains unknown. The longtime festival director doubled down on moving forward with this year’s festival, whether the big stars are in attendance or not. This comes amid ongoing WGA and SAG-AFTRA strikes that have halted the Hollywood industry, putting the remaining months of movies and TV shows into unknown territory.

The weekend of “Barbenheimer” has arrived.

Challengers,” starring Zendaya, which had been set as the Venice Film Festival opener, has been pulled from the festival due to promotional complications prompted by the SAG-AFTRA strike. Venice has announced that the sexy sports comedy — in which Zendaya plays a former tennis prodigy turned coach entangled in a love triangle with two pro tennis players, played by Josh O’Connor and Mike Faist — has changed its distribution strategy. The film’s promotion has been disrupted by the current actors strike, which prohibits SAG-AFTRA union members from doing any type of promotional activity. This means Zendaya, O’Connor and Faist would not have been able to launch the film on Aug. 30 on the Venice red carpet.

BreAnna Bell White House press secretary Karine Jean-Pierre will be honored with Outfest’s Inaugural Achievement Award for Press and Media, the nonprofit announced on Friday. The award presentation will take place on closing night of the 41st Outfest Los Angeles Summer Festival, which is presented by Genesis Motor America and Warner Bros. Discovery. The Achievement Award is a high honor within the organization and acknowledges the LGBTQ+ community’s presence in the media. “Outfest is thrilled to recognize the continued contributions of Karine Jean-Pierre for her barrier breaking and historic achievement in Press and Media,” Outfest board co-president Nii-Quartelai Quartey said in a statement. “Throughout her career, the Black and LGBTQ+ community has been reminded of what is possible. Our fellow Americans have been reminded of our humanity and inherent dignity. Our Outfest Press Fellows have been inspired.”

Zendaya tennis drama Challengers has become a high-profile casualty of the SAG-AFTRA strike with confirmation that its Venice Film Festival world premiere has been cancelled.

Clayton Davis Senior Awards Editor There’s a moment in “Barbie” where Ryan Gosling, who plays the wickedly funny and insecure manchild, Ken, steps off the screen and yells, “Sublime!” It might be the most extraordinary Oscar-worthy clip of a person not to be seen on screen. “Barbie,” the new meta-comedy from Warner Bros, which also acts as an infomercial for Mattel, finally lands for audiences and could be one of the leading comedy films seeking Oscar recognition by year’s end if Academy members can take it seriously. Gosling’s iconic turn, at least, is worthy of best supporting actor recognition. Commercial comedies, particularly those without the added “dramedy” sub-qualifier, have faced difficulty landing Academy recognition for decades (i.e., Vince Vaughn in “Wedding Crashers”). However, a promising trend has been seen in the last few years with acting nominees like Robert Downey Jr in “Tropic Thunder” (2008), Melissa McCarthy in “Bridesmaids” (2011) and Maria Bakalova in “Borat Subsequent Moviefilm” (2020) landing comfortably in their respective fields. Gosling could join the ranks.

Jordan Moreau “Barbenheimer” is finally here. The biggest box office battle in years has begun, with Warner Bros.’ “Barbie” making $22.3 million at the domestic box office in Thursday previews. Universal’s “Oppenheimer” made $10.5 million in previews. The “Barbie” preview haul is the biggest of the summer box office, beating the previous best of $17.5 million from “Guardians of the Galaxy Vol. 3.” “Barbenheimer” won’t be much of a showdown, however, as Greta Gerwig and Margot Robbie’s “Barbie” is expected to have a huge debut of well over $100 million in its opening weekend — with some estimates as high as $140 million, thanks to its massive marketing efforts. The large preview gross suggests the opening weekend may be closer to the high-end of projections.

Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.

EXCLUSIVE: The box office event of the year which has Warner Bros. mass female attraction, Barbie, and Universal’s Christopher Nolan directed, Oppenheimer, has officially fired off its confetti guns with the movies seeing respectively an estimated $20M and $9M+ from their previews. Again, these numbers could fluctuate by morning.

Matt Donnelly Senior Film Writer The sequel to Denis Villeneuve’s sci-fi epic “Dune” may be riding a sandworm all the way to 2024. Amid two contentious Hollywood labor strikes, Warner Bros. Film Group is strongly considering pushing the Timothée Chalamet and Zendaya tentpole to next year, three individuals with knowledge of discussions told Variety. The film is a co-production with Legendary Entertainment and both parties must agree on a new release date, said one insider. Legendary has yet to be approached by WB about a move, they added. Another source familiar with Warner Bros. said that releases are moving forward as originally planned and no formal discussions have been had, but noted that the duration of the union battles are completely unpredictable.

Zack Sharf Digital News Director Josh Hartnett revealed to Playboy magazine in 2015 that he talked with Christopher Nolan about taking on the role of the Caped Crusader in the director’s “Batman Begins,” which launched Warner Bros.’ billion-dollar grossing “Dark Knight” trilogy. How far did those talks go before Nolan settled on Christian Bale instead? In a new interview on the “Happy Sad Confused” podcast, Nolan confirmed talks with Hartnett took place, but his casting never got too serious. “No, it never got that far,” Nolan said when asked if he screen-tested Hartnett for the role of Batman. “I met with Josh and if I recall, he was a young actor whose work I was very interested in,” Nolan added. “I had an initial conversation with him but he had read my brother’s script for ‘The Prestige’ at the time and was more interested in getting involved with that. So it never went further than that.”

Margot Robbie had a vision when it came to producing Barbie — and was willing to say anything to get her movie made.  

Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total 78 markets through Friday, across over 9,600 locations, 13,000 screens, and more than 320 IMAX screens.

At long last, Greta Gerwig‘s “Barbie” and Christopher Nolan‘s “Oppenheimer” hit theaters for the summer movie event of 2023: “Barbenheimer.” And advance predictions say both films will do very well at the box office this weekend. Critics love both movies, too, which matters a lot more.

Warner Bros. Animation and Cartoon Network production workers are attempting to unionize with The Animation Guild (TAG).

J. Kim Murphy Bron Studios, the Canadian finance and production company that emerged as a media force in 2017 and has backed awards favorites like “Joker,” “Judas and the Black Messiah” and “Licorice Pizza” and commercial plays like “Ghostbusters: Afterlife,” “The Mule” and “65,” has filed for bankruptcy. Co-founder and CEO Aaron L. Gilbert disclosed the news in a statement on Wednesday, penning a letter to the banner’s “friends, partners, team members and backers.” “Having explored many options for many months, BRON had no choice but to take this step in light of its financial circumstances. The last few years have been incredibly difficult for BRON, and things have only gotten more complicated over these past months,” Gilbert shared, citing the COVID pandemic and both the SAG-AFTRA and WGA strikes as insurmountable headwinds for the company’s continued operations. The exec also stated that the company would not be doing press.

EXCLUSIVE: Tomii Crump has joined Creative Artists Agency as an agent in its Nonfiction Television department.  

Oppenheimer” and 89% and 8.2/10 for “Barbie“), Hollywood is looking at a skewed rerun of another box office showdown from July 2008.Fifteen years ago, Christopher Nolan’s “The Dark Knight” broke the opening weekend record with $158 million, but Meryl Streep’s “Mamma Mia!” also nabbed what was at the time the largest Friday-Sunday debut ever ($28 million) against a $100 million-plus opener. History may be repeating itself, with Greta Gerwig’s “Barbie” looking to clear triple digits right as Nolan’s “Oppenheimer” hopes to open on par with the over/under $50 million launches of “Interstellar” and “Dunkirk.” The record set in 2008 against a Nolan epic may be set again this weekend *by* a Nolan epic.

The Barbie World keeps expanding!

Matt Donnelly Senior Film Writer “Masters of the Universe,” a live-action movie based on He-Man and a slew of other popular Mattel toys, is officially dead at Netflix, according to multiple Variety sources. Insiders said that close to $30 million has already been spent on development costs and the cash that’s been shelled out to hold on to talent – like previously announced lead Kyle Allen and the film’s heatseeking directing duo Adam and Aaron Nee (“The Lost City”). Other knowledgable sources estimate all-in costs for development at twice that figure. The latest headaches for He-Man and friends only further complicates the property’s torturous journey to the screen, one that goes as far back as 2007. It’s a long road that’s crossed through two other studios, Warner Bros. and Sony Pictures, and countless writers and directors like Jon M. Chu and McG. The latest implosion at Netflix, according to five individuals with knowledge of the project, was over budget concerns.

EXCLUSIVE: Marie Moore will be leaving her post as SVP Communications working across multiple Warner Bros. Discovery ad-supported TV networks and streamer Max. Her last day will be Aug.4.

At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined $260M+ global start.

The “Barbenheimer” opening weekend is finally upon us!

Rebecca Rubin Film and Media Reporter “Barbenheimer” is officially here, and the battle between the bomb and the bombshell is about to ignite the box office. Greta Gerwig’s cotton candy-colored “Barbie,” starring Margot Robbie as the plastic, fantastic doll, is expected to generate a huge $95 million to $110 million from 4,200 North American theaters over the weekend. Given the omnipresence of “Barbie” (the marketing is practically inescapable, with enough memes and marketing tie-ins to last a lifetime), initial estimates are all over the place. Warner Bros. is projecting a more conservative $75 million to start, while rivals and exhibitors believe the PG-13 movie could make as much as $140 million between Friday and Sunday.

On the edge of what is bound to be the domestic box office’s third $200M+ weekend thanks to Barbie and Oppenheimer, the motion picture industry’s fret is whether the great post-pandemic moviegoing rebound is about to screech to a halt due to the SAG-AFTRA strike and actors prohibited from promoting.

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

Sabbatical Entertainment Sets Distribution Partnership With V Channels Media

Naman Ramachandran TNT Sports went live on Tuesday across the U.K. and Ireland, replacing BT Sport. The rebrand was revealed earlier this year as part of the Warner Bros. Discovery joint venture. TNT Sports is already used as WBD’s sports brand in Latin America and the U.S. TNT Sports will present the premium live sports rights previously carried by BT Sport including the Premier League, UEFA Champions League, UEFA Europa League, UEFA Europa Conference League, Gallagher Premiership Rugby, Heineken Champions Cup, EPCR Challenge Cup, MotoGP, cricket, UFC, Boxing and WWE. In addition, the Olympic Games Paris 2024, grand slam tennis tournaments, including the Australian Open and Roland-Garros and cycling grand tours, including the Tour de France, will be available.

Zack Sharf Digital News Director Christian Bale is probably not going to play Batman again after “Batman Begins,” “The Dark Knight” and “The Dark Knight Rises.” The Oscar-winning actor told ScreenRant last summer that he would only play Batman for a fourth time if Christopher Nolan was directing, but Nolan doesn’t appear to be interested in returning to the comic book genre. YouTuber HugoDécrypte asked Nolan point blank if he would make “another superhero movie.” Nolan bluntly answered, “No.” The question came during a speed round in which HugoDécrypte also asked the “Oppenheimer” filmmaker if he “could make a TV show one day.” Nolan also answered “no.” The director wasn’t as definitive when asked if he would want to direct a “Star Wars” movie. Nolan passed on giving an answer.

The story of how “Minx” Season 2 was moved to Starz is almost as interesting as the content in the actual show. You see, after Season 2 had been shot, Warner Bros.

Sean Gunn, the actor who played the lovable townsman on the hit show, is calling out Netflix for his lack of residual pay. Sean, the 49-year-old brother of Marvel and DC director James Gunn, shared with on Friday that he was out on the picket line for the first day of the SAG-AFTRA strike to mainly «protest Netflix.» The streaming service currently streams all seven seasons of as well as the 2016 revival, . Sean played Kirk in all seven seasons of the show, as well as all four episodes of the revival, both of which star Lauren Graham and Alexis Bledel as the beloved mother-daughter duo Lorelai and Rory Gilmore«I was on a television show called for a long time that has brought in massive profits for Netflix,» Sean told. «It has been one of their most popular shows for a very long time, over a decade.

Christopher Nolan has confirmed that he will “absolutely” not be working on more films until after the Hollywood strikes end.This week (July 13), the cast of Nolan’s new film Oppenheimer walked out of the UK premiere at the moment an actors’ strike began.The national board of SAG-AFTRA (Screen Actors Guild–American Federation of Television and Radio Artists) – Hollywood’s largest union, which represents 160,000 actors and performers – voted unanimously to strike, according to The Los Angeles Times.SAG-AFTRA was seeking better pay and working conditions in the age of streaming, while other negotiations related to safeguards against the unregulated use of artificial intelligence in the industry.Thousands of Hollywood productions are therefore currently paused, and Nolan discussed the meaning of the strike in an interview with BBC News, saying: “It’s not about me.”Asked whether he would be working on new films during the strike, he responded: “No, absolutely. It’s very important that everybody understands it is a very key moment in the relationship between working people and Hollywood.“This is not about me, this is not about the stars of my film.”The AMPTP said in a statement that “a strike is certainly not the outcome we hoped for as studios cannot operate without the performers that bring our TV shows and films to life”.“The Union has regrettably chosen a path that will lead to financial hardship for countless thousands of people who depend on the industry,” it added.The separate WGA (Writers Guild Of America) strike, which began on May 2, occurred following unsuccessful negotiations with AMPTP, who represent major Hollywood studios like Netflix, Disney, Apple, Amazon, Paramount, Warner Bros.

Christopher Nolan sees the insistence by striking SAG-AFTRA and WGA members that studios and streamers limit the use of artificial intelligence stems directly from the explosion of streaming over the past decade-plus.

according to Variety, who first reported his resignation, he was specifically praised for his work by Rosie Perez.Finnie’s exit comes just over 2 weeks after that of the film academy’s executive vice president of impact and inclusion, Jeanell English, who quit after just one year in the job. Finnie and English are just 2 of the Black Hollywood executives who have stepped down or have been laid off the last month.The others would be Vernā Myers, who exited Netflix, Latondra Newton who departed the Walt Disney Company and Karen Horne, who was laid off by Warner Bros.