Tell us about the genesis of the projectDoua Moua: After “Gran Torino,” I was on hold for a couple of different projects.
They all kinda fell through because [the role] went to a white guy or the project got shelved. So it got to the point, “When am I going to get another role if I don’t write a film for myself?
I went back and forth — should I tell the story about my dad and me, a son with his Hmong father going through a kidney issue and [familial] obligation stuff?
And so I kind of wrote that. And I continued rewriting and rewriting and got to a point where it was good enough to be pitched.
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