Tony Awards: Celebs Rumors

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‘The Nance’ at 1st Stage: Pansy Division (Review)

The Nance, directed by Nick Olcott.With careful discretion, Chauncey arranges an assignation for later with the younger man, Ned, a whippersnapper fresh from Buffalo played with aw-shucks joie de vivre by Patrick Joy.While an opening scene set at the Irving Place Theatre establishes Douglas Carter Beane’s well-plotted comedy-drama within the world of 1930s burlesque, the automat scene succinctly, incisively characterizes Chauncey and his compromised existence as a practicing homosexual at a time and place where that could easily get you arrested.It’s also a time when he might happen to get arrested for doing his job as a burlesque performer who specializes in a pansy act, camping it up onstage as the flamboyantly gay stock character known as “the nance.”The play — a winner of three Tonys in its original Broadway production starring Nathan Lane — finds Chauncey and his fellow artists of the burlesque revue at the Irving Place squarely in the sights of city authorities cracking down on these risqué cabaret showcases for ecdysiasts and vaudeville comedians.There’s a great montage in Singin’ in the Rain during the “Broadway Melody Ballet,” showing the rise of Gene Kelly’s Don Lockwood from burlesque hoofer to vaudeville showman to Broadway headliner. The quality of refinement in Don’s costumes, choreography, and chorus girls steadily sparkles brighter, along with Don’s million-dollar smile as he ascends to the top.The denizens of The Nance dwell near the bottom of that stairway to paradise, on the seedier side of Manhattan.
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‘The Nance’ at 1st Stage: Pansy Division (Review)
The Nance, directed by Nick Olcott.With careful discretion, Chauncey arranges an assignation for later with the younger man, Ned, a whippersnapper fresh from Buffalo played with aw-shucks joie de vivre by Patrick Joy.While an opening scene set at the Irving Place Theatre establishes Douglas Carter Beane’s well-plotted comedy-drama within the world of 1930s burlesque, the automat scene succinctly, incisively characterizes Chauncey and his compromised existence as a practicing homosexual at a time and place where that could easily get you arrested.It’s also a time when he might happen to get arrested for doing his job as a burlesque performer who specializes in a pansy act, camping it up onstage as the flamboyantly gay stock character known as “the nance.”The play — a winner of three Tonys in its original Broadway production starring Nathan Lane — finds Chauncey and his fellow artists of the burlesque revue at the Irving Place squarely in the sights of city authorities cracking down on these risqué cabaret showcases for ecdysiasts and vaudeville comedians.There’s a great montage in Singin’ in the Rain during the “Broadway Melody Ballet,” showing the rise of Gene Kelly’s Don Lockwood from burlesque hoofer to vaudeville showman to Broadway headliner. The quality of refinement in Don’s costumes, choreography, and chorus girls steadily sparkles brighter, along with Don’s million-dollar smile as he ascends to the top.The denizens of The Nance dwell near the bottom of that stairway to paradise, on the seedier side of Manhattan.
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