Jazz Tangcay Artisans Editor As Emmy voting comes to a close, score mixer Phil McGowan could find himself with multiple nominations, having worked on the sound of Paramount+’s “Star Trek: Picard,” Netflix’s “Cobra Kai” and “Ozark,” and Roku’s “Weird: The Al Yankovic Story.” He spoke with Variety about his approach to each project and what needed to be taken into consideration to preserve the sonic integrity in his mixes. “This season was bigger and more maximal than previous seasons, but there wasn’t a big sonic shift.
However, each episode is like a movie. Composers Leo Birenberg and Zach Robinson approach it like it’s another ‘Karate Kid’ film.
There are guitars, a drum kit, drum machines and lots of percussion. They use a lot of samples that are reminiscent of the 1980s and ’90s.
So, I have fun applying mixing techniques with reverb that blends ’80s hair metal and ’90s pop music along with big orchestral symphonic sounds on the show.” “This was a different genre.
Read more on variety.com
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