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‘Bridgerton’ Breakout Simone Ashley To Topline Indie Thriller ‘This Tempting Madness’ – First Look

EXCLUSIVE: After breaking out with her lead role in the second season of Netflix’s smash hit series Bridgerton, Simone Ashley has moved on to star in This Tempting Madness, a new indie directed by Jennifer E. Montgomery, from her script written with husband Andrew M. Davis, which just wrapped production in Los Angeles.
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Elizabeth Olsen Limited Series ‘Love & Death’ Is Well-Made, but We’ve Seen It Before: TV Review
Alison Herman TV Critic “Love & Death” feels familiar, as it should. The Max drama is the second series in less than a year to take on the same story: the case of Candy Montgomery, a Texas housewife who killed her friend and neighbor Betty Gore with an ax in 1980. This version follows closely on the heels of “Candy,” which aired on Hulu last year. The proximity practically demands comparison, and it’s tempting to draw up a laundry list of differences and call it a review. “Love & Death” casts Elizabeth Olsen as Montgomery, while “Candy” stars Jessica Biel. (The more jarring contrast is between the former’s Jesse Plemons and the latter’s Pablo Schreiber, two physically opposite actors who both assume the role of Allan Gore, Betty’s husband and Candy’s ex-lover.) “Candy” is inflected with horror, while “Love & Death” is more naturalist. “Candy” flashes back from the day of the murder, which saw Montgomery toggle from brutal homicide to eerily banal errands, while “Love & Death” is more linear in structure. The effect is not unlike that of 2019’s competing documentaries about the viral quagmire known as Fyre Festival, with the same details refracted through distinct sensibilities. But instead of racing to cover a recent event, these shows converge on a tragedy more than four decades old.
etonline.com
'The Masked Singer': A WWE Superstar and a Sitcom Icon Get Unmasked on 'Country Night'
returned for the sixth week of season 9 on Wednesday, and the show embraced the fun twang and lonesome romance of country music.Helmed by host Nick Cannon and overseen by stalwart panelists Robin Thicke, Ken Jeong, Jenny McCarthy and Nicole Scherzinger, Wednesday's «Country Night» episode saw two new contestants — The Macaw and The Axolotl -- duke it out against returning singer The Fairy for their shot at moving on in the competition.So who went home and who moved on? Each week, ET will be breaking down the biggest moments and most surprising unmaskings in each new episode of the hit reality singing competition series.Here's how Wednesday's «Country Night» shook out, when all the songs were sung and votes were cast!The Fairy kicked things off in cowboy boot style with a stunning and beautiful rendition of Bonnie Raitt's «Angel From Montgomery» that left the panel in awe of her talent and vocal styling. It was a performance befitting a reigning champ and set the bar high for the night.The character with possibly the cutest costume of the entire season hit the stage next, The Axolotl, and the pink, frilled amphibian delivered a sweet cover pf «Can't Fight the Moonlight» by LeAnn Rimes — who also happens to be a Golden Mask winner, from back in Season 4.Finally, The Macaw flew out for a powerful performance of «Live Like You Were Dying» by Tim McGraw that won over the audience and left the panel very impressed.After all the votes were counted, the adorable Axolotl was, sadly, the first to get kicked off.
variety.com
Elizabeth Olsen on Her ‘Embarrassing’ Marvel Scenes, Recovering From Panic Attacks and Whether She’s Still an ‘Aspiring Stoner’
Kate Aurthur editor During her career, Elizabeth Olsen has played a broad range of characters, from a damaged cult escapee in 2011’s “Martha Marcy May Marlene,” to an in-over-her-head FBI agent investigating a murder in “Wind River,” to a narcissistic influencer in “Ingrid Goes West” — and, of course, the tragic, terrifying Wanda Maximoff (aka Scarlet Witch) in the Marvel Cinematic Universe. Next year, she’ll star in “Love & Death,” an HBO Max limited series about Candy Montgomery, a Texas homemaker who in 1980 had an affair with her friend’s husband — and then murdered her friend, hitting her 41 times with an axe. It’s based on a true story. Yet “Love & Death,” written by David E. Kelley, and directed by Lesli Linka Glatter, isn’t grim, according to Olsen — in fact, “I think we were trying to find the humor as much as possible,” she says. And as for playing a murderer in Candy, she compared the experience to getting into the character of Wanda. “What’s fun for me is trying to understand why people make the decisions they make,” Olsen says. “I just feel like that’s my role is to defend, defend, defend. And so I adore her, and I’m impressed by her.”
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