‘The Damned’ Review: In His Latest Look at America’s Margins, Roberto Minervini Travels Back to the Civil War
Peter Debruge Chief Film Critic Set during the Civil War, a long way from the front lines, Roberto Minervini’s “The Damned” continues the Italian helmer’s career-long examination of the rifts and affinities between overlooked segments of American society. Apart from one long, destabilizing battle with an unseen adversary, the portrayal is a relatively peaceful one, following a group of Union soldiers assigned to scout the Northwestern frontier in 1862.