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Prince Harry, Duke of Sussex, KCVO ADC (Henry Charles Albert David;15 September 1984) is the younger son of Charles, Prince of Wales and Diana, Princess of Wales and is sixth in the line of succession to the British throne. Harry was educated at Wetherby School, Ludgrove School, and Eton College. He spent parts of his gap year in Australia and Lesotho. He then underwent officer training at the Royal Military Academy Sandhurst. He was commissioned as a cornet (second lieutenant) into the Blues and Royals, serving temporarily with his brother Prince William, and he completed his training as a troop leader. In 2007–08, he served for over ten weeks in Helmand, Afghanistan, but was pulled out after an Australian magazine revealed his presence there. He returned to Afghanistan for a 20-week deployment in 2012–13 with the Army Air Corps. He left the army in June 2015.
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Breaking Baz: Scottish-Italian Newcomer Ruaridh Mollica On His Breakthrough Performance In Mikko Makela’s Sundance-Bound ‘Sebastian’

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deadline.com

EXCLUSIVE: Ruaridh Mollica says he had a year to prepare for his “role of a lifetime — so far” in Finnish filmmaker Mikko Makela’s powerful new film Sebastian, which premieres at Sundance on Sunday.

The film follows a culture journalist who goes undercover and leads a double life as a sex worker to research a debut novel.

The 24-year-old Mollica, born to a Scottish mother and an Italian father, gives a superlative performance in his first feature film lead role, as he assumes the split personalities of Max, a young wannabe literary sensation, and Sebastian, who hires himself out to desirous older male clients.

The intimate moments, though at times full-on, actually serve the narrative to reflect Max/Sebastian’s state of mind. Between his initial self-tape, first audition and screen tests, Mollica had 12 months to enter into full character research mode before officially being handed the part, and the experience helped him become a champion of Makela’s vision. “Yes, I wanted the role, but I just wanted to see the film made,” he tells me, modestly. “And I think that’s the most beautiful thing: When you can detach the ego and the competitiveness of wanting a role and just being like, ‘Whether I get this or not, I want to see this film.'” He dived in, read and re-read Makela’s script, highlighting “every single” book, author and single film that was mentioned. “If I didn’t know them, I got to know them.

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