Rodrigo Sorogoyen: Celebs Rumors

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‘Saturn Return,’ ‘Radical,’ ‘Little Loves’ Top Spain’s Malaga Festival

Saturn Return” (“Second Prize”), always a frontrunner, topped this week’s Malaga Festival winning its best picture, director (with co-director Pol Rodríguez) and editing (Javi Frutos) awards. The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally radical and great fun at one and the same time.
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Rodrigo Sorogoyen’s ‘The Beasts’ and Remake Rights Drive Latido Films’ Raft of Cannes Slate Sales (EXCLUSIVE)
Emiliano De Pablos Suggesting an appreciable recovery in the dynamism of international film markets, Madrid-based Latido Films has unveiled a raft of deals on its Cannes line-up, led by standout sales for Rodrigo Sorogoyen’s Cannes Premiere player “The Beasts.” The Spain-set rural thriller was acquired by Movies Inspired in Italy and Imagine in Benelux. Co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” has also been taken by Kino Mediteran in former Yugoslavia territories and Transilvania Film in Romania.Meanwhile, fruit of Latido’s strengthening of its remake rights sales strategies, the company has optioned Mexican movie adaptation rights on Nicolás Postiglione’s drama “Immersion” to Paloma Negra Films and Whisky, as a French redo of Gastón Duprat’s Spanish-Argentine drama “Masterpiece” is moving into production.  Also, Latido is in advanced negotiations on further remake rights deals in France, Italy and Mexico, among other territories.“Our sales expectations are beginning to approach pre-pandemic levels,” said Antonio Saura, Latido Films managing director.“We saw a market with multiple signs of dynamism but, at the same time, we feel that less and less risks are being taken,” argued Juan Torres, head of international sales. “Projects with a commercial vocation today attract the attention of many buyers more quickly,” he explained. “On the other hand, films that are more fragile from a commercial point of view but which previously managed to find acceptance in various territories today seem destined more than ever for festivals or minor online exhibition,” he added.Regarding signs of dynamism, Saura points out, “we see that independent distributors,
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