Jessica Kiang Watch any of the films that made Jackie Chan a legend and you notice that so much of his graceful, goofball charisma comes from simply having one more move up his sleeve.
Whether changing position while sliding down a plate-glass skyscraper or falling off a clock face onto a series of awnings or dispatching multiple assailants with his witty brand of bendy, aerobic kung-fu, only to end on a silly eye-poke or a gymnastic semi-levitation, the star-making flourish is so often the extra thing he does when anyone else would be finished.
But what do you do when, nearing 70 and with almost 150 movie performances behind you, there aren’t that many one-more-moves left?
Maybe you make something like Larry Yang’s “Ride On,” a sappy but enjoyable slice of family fun that has a nice horse doing wacky tricks for the younger viewers and for parents and older fans, is a gently meta, valedictory canter through the paddock of Chan’s previous achievements.
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