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Brian Tyree Henry Joins Universal’s Untitled Pharrell Williams and Michel Gondry Musical Project

Katcy Stephan Brian Tyree Henry has joined the cast of Universal’s untitled Pharrell Williams and Michel Gondry musical project. The Oscar, Emmy and Tony nominee joins Kelvin Harrison Jr., Halle Bailey and Oscar winner Da’Vine Joy Randolph in the coming-of-age musical, set in the summer of 1977 at Virginia Beach and inspired by Atlantis Apartments, Williams’ childhood neighborhood.
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Moses Sumney unveils new concert film as he announces break from music
Moses Sumney has unveiled details of a new concert film before announcing his break from music.Sumney was this week revealed to be part of The Weeknd’s upcoming HBO series The Idol and has now today (August 25) unveiled a new concert film called A Performance In V Acts that covers his gig at the Ford Theater in Los Angeles on October 31. After that, he also announced his upcoming break from music.He said in a statement that the new concert film “marks the official end of the græ album cycle.”He continued: “It’s a capsule of our headline show since we will not be touring the album after all,” he wrote. “This film also ushers in a new period of creativity for me – one in which I take a continued break from making albums and touring music to focus on other disciplines.”The film will be released on August 31 and you can see a clip of him from the film performing ‘Doomed’ and his cover of Björk’s ‘Come to Me’ here:Earlier this week, HBO released the second teaser for The Idol, the upcoming drama series created by “the sick and twisted minds of” The Weeknd and Euphoria helmer Sam Levinson.It was confirmed some time ago that the main cast will feature Troye Sivan, Debby Ryan and Hari Nef, while the recurring cast will include Tunde Adebimpe of TV On The Radio and Tyson Ritter of The All-American Rejects.In the latest teaser, we learn that other actors and artists set to appear.
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“American Prophet” Review: Prophets and Losses
American Prophet: Frederick Douglass in His Own Words (★★★☆☆), in its world-premiere production at Arena Stage, wisely draw directly from the source for their expansive, though not exhaustive, biography of the great abolitionist, author, publisher, statesman, escaped slave, and public speaker.The bulk of Douglass’ lines and lyrics in the show are words that the man either spoke or wrote, interpreted and interpolated fluidly by book writers Charles Randolph-Wright and Marcus Hummon.Randolph-Wright also directs, while Grammy-winner Hummon composed music and lyrics for the score, which floats between R&B, pop, and gospel influences, but stays too comfortably within theater conventions.The music doesn’t start down the most adventurous path. Opening with Douglass plaintively singing “What Does Freedom Look Like?” feels way too obvious.The follow-up number, “Going to the Great House,” turns out to be a sharply satirical subversion of happy-dancing-slave tropes, but then shifts into a sober — and, again, very on-the-nose — “Wade in the Water,” complete with choreography reminiscent of Alvin Ailey’s “Revelations.”Fortunately, the show goes bolder in its characterization of Frederick Douglass.
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