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Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film programmer, and cinema owner.

His films are characterized by nonlinear storylines, satirical subject matter, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film.

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Warner Bros. Entertainment Inc. (commonly known as Warner Bros. and abbreviated as WB), is an American diversified multinational mass media and entertainment conglomerate headquartered at the Warner Bros. Studios complex in Burbank, California, and a division of AT&T's WarnerMedia. Founded in 1923 by brothers Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games, and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA).
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Quentin Tarantino Doesn’t Want To Watch Denis Villeneuve’s ‘Dune,’ Laments Hollywood’s Penchant For Remakes

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Quentin Tarantino does not care about Lisan al Gaib. More specifically, the Pulp Fiction filmmaker recently said he has no interest in watching fellow colleague Denis Villeneuve‘s Dune adaptations, as he views them as symptomatic of Hollywood’s overreliance on remixing old IP (usually in a bid to mitigate risk and maximize profit). “I saw [David Lynch’s original adaptation of] ‘Dune’ a couple of times,” he told Bret Easton Ellis (American Psycho) on his self-titled podcast. “I don’t need to see that story again.

I don’t need to see spice worms. I don’t need to see a movie that says the word ‘spice’ so dramatically.” The Oscar winner continued, listing other titles he has shrugged off because their material draws from trodden ground. “It’s one after another of this remake, and that remake,” he said. “People ask ‘Have you seen ‘Dune?’ ‘Have you seen ‘Ripley?’ ‘Have you seen ‘Shōgun?’ And I’m like, ‘No, no, no, no.’ There’s six or seven Ripley books: If you do one again, why are you doing the same one that they’ve done twice already?

I’ve seen that story twice before, and I didn’t really like it in either version, so I’m not really interested in seeing it a third time.

If you did another story, that would be interesting enough to give it a shot anyway.” Certainly, Tarantino isn’t the only industry professional or cinephile who has lamented the steady stream of remakes, reboots and reimaginings that have graced both silver and small screens for the past couple of years.

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