Brent Lang: Celebs Rumors

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Peter Farrelly Directing ‘I Play Rocky,’ Inside Story of Sylvester Stallone’s Star-Making Performance

Brent Lang Executive Editor “Green Book” director Peter Farrelly will take audiences behind-the-scenes on the unlikely and tumultuous production of “Rocky,” the boxing drama that catapulted Sylvester Stallone into stardom. “I Play Rocky,” the upcoming film, will follow Stallone long before his action hero days. Here, he’s a struggling actor whose partially paralyzed face and a speech impediment hasn’t left him in demand by Hollywood.
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All news where Brent Lang is mentioned

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Steven Soderbergh on His New Miniseries ‘Full Circle,’ Not Sweating A.I. and Why Cellphones Are the ‘Worst Thing That’s Ever Happened to Movies’
Brent Lang Executive Editor Steven Soderbergh starts things off with an apology. His assistant is on vacation, and he was certain that our interview was scheduled to start a full 15 minutes after it was supposed to commence. That resulted in a mad scramble of calls text messages to track down the filmmaker. “I was just sitting here staring off into space,” he says. It must have been a rare moment of calm for the always-on-the-move director, who a has averaged at least one movie or series a year since reemerging from a short-lived retirement in 2017. And he’s back again this summer with “Full Circle,” a six-part miniseries that premieres at the Tribeca Festival before launching on Max on July 13. It’s a morally complex story about a botched kidnapping that causes several characters’ lives to intersect in surprising ways. It’s also a fascinating portrait of modern-day New York City, one that showcases a privileged Manhattan family (Claire Danes and Timothy Olyphant play the guardians of a business that revolves around Dennis Quaid’s celebrity chef), as well as a pair of Guyanese kidnappers who are deployed by CCH Pounder’s shadowy business woman to exact revenge. “Full Circle” is the kind of knotty thriller that Soderbergh, a master of the genre, does such a great job of setting and then unwinding. To say more would be to spoil its pleasures.
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Matthew Broderick, Sarah Jessica Parker Bringing ‘Plaza Suite’ to London’s West End (EXCLUSIVE)
Brent Lang Executive Editor Matthew Broderick and Sarah Jessica Parker are checking in across the pond. The two actors (a real-life married couple) are bringing their relationship comedy “Plaza Suite” to London following a sold-out Broadway run. The West End transfer of Neil Simon’s play is directed by Tony Awardwinner John Benjamin Hickey. It will play a strictly limited season at the Savoy Theatre from Jan. 15 to March 31 with tickets on sale in September. In an interesting twist, the play, which unfolds in one of the most famous hotels in the world, will be remounted in a theater that is part of an equally iconic hotel. The production marks Broderick’s return to the West End stage following his run in 2019’s “The Starry Messenger.” “Plaza Suite” is Parker’s West End debut. Both stars are known for their film and television work — he for “Ferris Bueller’s Day Off” and “Glory,” she for “Sex and the City.” However, they also frequently appear on stage. Broderick won a Tony for “Brighton Beach Memoirs” and “How to Succeed in Business…” and appeared in “The Producers.” Parker made herBroadway debut in 1976 in “The Innocents”directed by Harold Pinter, and appeared in “Annie,” “How to Succeed in Business…” and“Once Upon a Mattress.”
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‘The Little Mermaid’ Dominates Memorial Day Box Office With $118 Million Debut
Brent Lang Executive Editor Thirty five years after the animated story of Ariel, a flame-haired siren of the sea who falls for a prince, charmed audiences, a live-action remake of “The Little Mermaid” dominated the Memorial Day weekend box office. The Disney release is on track to debut to a massive $118 million over the four-day holiday, with $96 million of that coming over the weekend. It ranks as the fifth highest Memorial Day opening in history. The film got a lift from many of the same moviegoers who first fell in love with Ariel when she flitted across the screen in 1988, as well as from the generations of fans who weren’t alive when the original movie opened, but who were nevertheless weaned on the classic from its various appearances on DVD, television, and later streaming. The live action “Little Mermaid” (and “live action” is doing a lot of lifting here considering the sheer tonnage of CGI required to bring Ariel’s ocean home to life), was directed by Rob Marshall and stars Halle Bailey as the title character. Melissa McCarthy plays Ursula, the malevolent sea witch who steals Ariel’s voice in return for giving her legs and a chance to canoodle with the dreamy Prince Eric (Jonah Hauer-King). Javier Badem, Awkwafina and Daveed Diggs round out the ensemble.
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Lionsgate Earnings Get Lift From ‘John Wick: Chapter 4’
Brent Lang Executive Editor The return of John Wick, its popular hit man franchise, helped lift quarterly earnings at Lionsgate, enabling the company to best expectations. For the three-month period ending on March 31, revenues at Lionsgate increased 16.7% to $1.1 billion. The company also reported an operating loss of $49.6 million, which was slightly better than the $50.4 million in losses it logged in the year-ago period.  There was also a net loss attributable to Lionsgate shareholders of $96.8 million or 42 cents net loss per share. Adjusted net income attributable to Lionsgate shareholders in the quarter was $49.2 million or 21 cents in adjusted earnings per share. Lionsgate’s film business did much of the heavy lifting. The studio segment reported revenue of $823.6 million, an increase of 25% from the prior-year quarter, with the movie portion of that haul increasing by 85%. That was due to the success of “John Wick: Chapter 4,” a blockbuster sequel starring Keanu Reeves as the titular avenger, as well as the release of two modest hits in the faith-based drama “Jesus Revolution” and the Gerard Butler action-thriller “Plane.” It also helped off-set declines in Lionsgate’s television business, which the company said was the result of “timing” of when its shows are licensed or hit the airwaves.
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James L. Brooks Warned Judy Blume Not to Trust Hollywood. She Still Let Him Produce a Movie of ‘Are You There God? It’s Me, Margaret’
Brent Lang Executive Editor To get the chance to make a movie of Judy Blume’s “Are You There God? It’s Me, Margaret,” producer James L. Brooks and writer and director Kelly Fremon Craig made the pilgrimage to the beloved author’s home in Key West, Fla. “I spent most of our time with Judy warning her about Hollywood and all the things it will do to you — basically, I warned her about folks like me,” says Brooks, the Oscar-winning director of “Terms of Endearment” and the co-creator of “The Simpsons” and “The Mary Tyler Moore Show.” Blume chose not to heed the admonition. By the end of their sit-down, Brooks, Craig and Blume’s husband George were all hugging. The film rights were theirs. It turns out Brooks and Craig had an ace up their sleeve: Blume had loved their collaboration “The Edge of Seventeen,” a sensitively drawn look at a teenager navigating the minefield of high school while processing her dad’s death. It’s a coming-of-age tale that’s similar to “Are You There God?,” which depicts the challenges and mortifications of being on the cusp of puberty. On April 28, fans of the book will get to see how successfully Craig, Brooks and their collaborators pulled it off when the Lionsgate release opens in theaters.
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