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Michael Shannon on Directing ‘Eric Larue’: ‘I Don’t Think America Makes Any Sense’

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variety.com

Brent Lang Executive Editor Michael Shannon has turned the tables on me. I’m supposed to be the one conducting the interview, but he’s more interested in what I saw at Cannes. “What did I like?” he wonders. “What was worth watching?” And to hear his probing questions, delivered in the low rumble and unvarnished intensity with which Shannon threatens Superman in “Man of Steel,” momentarily makes my mind go completely blank.

What the hell did I watch over there? I manage to conjure up a few films — “Zone of Interest” and “May December,” the title of which I can’t quite grab onto and rechristen as “the Todd Haynes one.” And with that out of the way we’re off, pausing for a few minutes halfway through so Shannon can tell his kid to get ready for a sleepover while he makes him something to eat.

The subject of our talk is “Eric Larue,” a shattering look at a woman (Judy Greer) who is consumed with grief and guilt after her son murders several of his classmates.

The film, which marks Shannon’s feature directorial debut, debuts on June 10 at the Tribeca Festival. He confesses he wasn’t really looking to make the move behind the camera, but there was something about Brett Neveu’s script that hooked him. “I wasn’t predisposed to direct a movie,” Shannon says. “I always found it an intimidating proposition.

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