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‘Red Rooms’ Review: A True Crime Gawker Slips Into Obsession During a Grisly Murder Trial

Dennis Harvey Film Critic There is a quease factor to the popular fascination with serial killers that goes well beyond morbid curiosity about the crimes themselves — specifically, those who can’t get enough of such subject matter. How many dramatic depictions do we need of, say, Jeffrey Dahmer or Ted Bundy? Surely no new insights can truly be gleaned. After a point, it becomes a sheer, ghoulish fixation on real-life torture, rape and murder.
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‘5 Seasons of Revolution’ Review: Raw Reports From a Civil War Front
Dennis Harvey Film Critic The sensation of a nation crumbling from within — not in slo-mo deterioration, but amid the chaos of widespread violence and political upheaval — is unimaginable to most people. Yet it’s something many will live to experience. Offering a primer of sorts in that grim prospect is “5 Seasons of Revolution.” Made by the pseudonymous Lina, this very first-person documentary doesn’t offer a lot of explanatory background or big-picture commentary on Syria’s still-ongoing civil war. But in charting the filmmaker’s attempts at reportage alongside the fates of her imperiled group of friends between 2011-15, it provides one vivid perspective on a whole country in freefall.  At that timespan’s beginning, the pro-democracy protests of the Arab Spring reach our English-language narrator’s homeland, where she’s an aspiring video journalist. Her likewise twentysomething close associates, introduced at the start here, are fellow journalists, social workers, activists. All grew up in a de facto police state now controlled by President Bashar al-Assad, whose father presided over the country’s transformation into a military dictatorship decades prior. Defying an official media blackout, she interviews demonstrators and those who witnessed their being fired on by government forces. We see joyful still images of street actions, suggesting a turning point may be at hand.
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‘The Artifice Girl’ Review: A Thought-Provoking Speculative Drama About AI Bait For Online Predators
Dennis Harvey Film Critic Artificial Intelligence has been increasingly in the news of late, with observers worried that it will soon become difficult for teachers to tell if students actually completed a project themselves (or a program did it for them), for anyone to recognize whether a supposed breaking evidential video is in fact a deepfake, and so forth. “The Artifice Girl,” however, frames the problems raised by ever-growing technological sophistication in a familiar narrative framework: that of the machine intelligence that begins to surpass its human “masters.”  Unlike portrayals from “2001” to “Ex Machina” and beyond, however, Franklin Ritch’s debut feature does not treat that dynamic in thriller terms, as a hostile takeover. Instead, this smaller-scaled speculative fiction is more concerned with ethics, as pondered in a series of dialogue sequences that aren’t static but might also have worked on stage, and require nothing in the way of FX. The results may not be what fantasy fans in need of action and spectacle are looking for. But Ritch’s film, which won the Best International Feature Audience Award at Fantasia last year, is engaging food for thought for viewers willing to let ideas rather than visuals fire up their futuristic imagination. XYZ Films is releasing it April 27 to limited U.S. theaters, as well as on-demand and digital platforms. 
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Stanley Tucci Would Never Play ‘Lovely Bones’ Role Again and ‘Tried to Get Out Of It’: ‘It Was Horrible’ and ‘A Tough Experience’
Zack Sharf Digital News Director Stanley Tucci recently told Entertainment Tonight that he would never play his role in “The Lovely Bones” again. The actor starred as the serial killer George Harvey in Peter Jackson’s divisive adaptation of Alice Sebold’s 2002 novel. Tucci earned an Oscar nomination in the supporting actor category for his performance, but ironically it was a role he tried to get out of before filming started. “I would not play George Harvey again in ‘The Lovely Bones,’ which was horrible,” Tucci said. “It’s a wonderful movie, but it was a tough experience. Simply because of the role.” “I asked Peter Jackson why he cast me in that role,” Tucci continued. “I tried to get out of playing the role, which is crazy because I needed a job. But I was like, ‘Why do you want me?’ And he said, ‘Because you’re funny.’ And I thought, ‘Okay.’ But I understand what he was saying. I think what he meant was that I wouldn’t be too — not that I wouldn’t be serious about it, but that I wouldn’t be overly dramatic about it. That I would throw it away a bit. Which is what you have to do when you’re playing somebody who’s that awful, right?”
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‘Appendage’ Review: A Young Woman Gives ‘Birth’ to a Malevolent Alter Ego in Middling Hulu Horror
Dennis Harvey Film Critic The “evil twin” school of psychological metaphor has been a frequent device in horror fiction, and its familiarity does not much benefit the very literal-minded “Appendage.” Writer-director Anna Zlokovic’s first feature centers on a young Manhattanite whose insecurities manifest themselves in the form of a mini-me who becomes a serious usurping threat. This SXSW-launched Hulu Original is sufficiently polished to pass muster as a night’s streaming entertainment for undiscriminating genre fans. But despite the grotesque premise, its attack is a little too blunt to make much impact, whether taken as thinly-veiled satire or straight fantasy thriller.   Introduced chafing under the critical control of her waspish mother (Deborah Rennard) during a visit home to the suburbs, Hannah (Hadley Robinson) is a nice, talented, attractive twentysomething nonetheless driven by the sense that she’s got everything to prove. An aspiring fashion designer, she certainly gets negative reinforcement on that front from her employer, a stereotypically vicious style maven named Cristean (Desmin Borges). On the plus side, there is very supportive boyfriend Kaelin (Brandon Mychal Smith), and workmate/best friend Esther (Kausar Mohammed), who introduced the couple to one other. But their reassurances tend to fall on deaf ears, as Hannah stays up late each night slaving over dresses her mean-spirited boss will likely dismiss with a sneer.
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Andy Samberg’s ‘Digman!’ Adds Maya Rudolph, Daniel Radcliffe, Jane Lynch and More to Guest Voice Cast (EXCLUSIVE)
Julia MacCary editor “Digman!,” Andy Samberg’s first written and produced project, is building out its voice cast with guest stars including Maya Rudolph, Daniel Radcliffe, Jane Lynch and more. The adult animated series, for which you can see an exclusive teaser below, premieres March 22 on Comedy Central. Also joining “Digman!” are Edgar Wright, Kyle Mooney, Cole Escola, Jane Lynch, Lauren Lapkus, Paul Rust, Joe Lo Truglio, Marc Evan Jackson, Harvey Guillén, Claudia O’Doherty, Kerri Kenney, Clancy Brown, Rachel Kaly, Andy Daly, Lennon Parham, Carl Tart and Kirby Howell-Baptiste. “Digman!” is set in a world where archaeologists are celebrities, with Samberg voicing protagonist Rip Digman. Other previously announced stars include Mitra Jouhari (“Three Busy Debras”), Tim Robinson (“I Think You Should Leave”), Dale Soules (“Orange Is The New Black”), Guz Khan (“Our Flag Means Death”), Melissa Fumero (“Brooklyn Nine-Nine”) and Tim Meadows (“The Goldbergs”).
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