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Sam Mendes

Sir Samuel Alexander Mendes CBE (born 1 August 1965) is an English film and stage director, producer and screenwriter. In theatre, he is known for his dark re-inventions of the stage musicals Cabaret (1994), Oliver! (1994), Company (1995), and Gypsy (2003). He directed an original West End stage musical for the first time with Charlie and the Chocolate Factory (2013).

For directing the play The Ferryman, Mendes was awarded the Tony Award for Best Direction of a Play in 2019.

Issa Rae
Jo-Issa Rae Diop (born January 12, 1985), known as Issa Rae, is an American actress, writer, director, producer, and web series creator. She first garnered attention for her work on the YouTube web series Awkward Black Girl. She subsequently gained further recognition for creating, co-writing, and starring in the HBO television series Insecure. For her acting work on Insecure, she has received two Golden Globe Award nominations for Best Actress – Television Series Musical or Comedy and a Primetime Emmy Award nomination for Outstanding Lead Actress in a Comedy Series.
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Jeffrey Wright Is Pitch Perfect and Oscar-Worthy in Cord Jefferson’s ‘American Fiction’; Possible TIFF Audience Winner?

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variety.com

Clayton Davis Senior Awards Editor With “American Fiction,” Cord Jefferson, best known for penning television episodes of “Succession” and “Watchmen,” helms one of the finest directorial debuts seen since Sam Mendes’ “American Beauty.” In the style that feels like an audacious blend of the screenplays of Alexander Payne’s “Sideways” and Nicole Holofcener’s “Can You Ever Forgive Me,” he shepherds an audacious dramedy anchored by a career-best and Oscar-worthy performance from star Jeffrey Wright.

After debuting at the Toronto International Film Festival, it’s a movie that could be a contender for the coveted TIFF Audience Award, and it would be deserved.

Based on the novel “Erasure” by Percival Everett, the film follows author Thelonious “Monk” Ellison (Wright), a frustrated novelist who is fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes.

To prove his point, Monk writes an outlandish “Black” book that propels him to the heart of hypocrisy and madness. It is quite a timely topic as Black content continues to face challenges in the entertainment world.

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