county Laurel: Celebs Rumors

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Ruby Corado Arrested for Fraud and Money Laundering

The Washington Post, federal prosecutors allege Corado took at least $150,000 of the $1.3 million that Casa Ruby had received in emergency relief funds aimed at assisting small business owners and nonprofits in navigating difficult financial times during COVID-related shutdowns.Corado was arrested at a hotel in Laurel, Maryland, on March 6 after an “unexpected return” to the country, according to prosecutors.She faces federal charges of bank fraud, wire fraud, money laundering, illegal monetary transactions, and failure to file a report of a foreign bank account.Following an initial appearance on March 6 in U.S. District Court for the District of Columbia, Corado was ordered held without bond pending a March 8 detention hearing.
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Behind the Scenes of Brandi Carlile’s IMAX Concert in Laurel Canyon, and Her New Album, ‘In the Canyon Haze’
Chris Willman Senior Music Writer and Chief Music Critic Brandi Carlile’s IMAX livecast Wednesday evening couldn’t have been better timed in the calendar year, coming just a few days after the equinox. A nationwide live simulcast on IMAX screens pretty much demands a universal start time of 6 p.m. PT/9 ET,  a time frame that, in the last week of September, means a 90-minute show being shot outdoors on a ridge overlooking L.A. will start sunny and end with a dark sky and the basin at its twinkliest. Cinematographers everywhere couldn’t have asked the movie gods for a more compliant dusk than the one Carlile and her band and filmmaking team got. She’s having her own magic hour, of course … definitely not to be confused with a twilight, in her case. The Carlile album that came out just about a year ago, “In These Silent Days,” carried on its Grammy-winning predecessor’s success in further establishing her as America’s troubadour du jour in the classic singer-songwriter vein. Now she’s celebrating that anniversary with a deluxe edition that includes a separate, all-new rendering of the album, titled “In the Canyon Haze,” featuring re-arrangements meant to invoke the spirit of early ‘70s Laurel Canyon folk-rock just as blatantly as the altered title suggests. There’s something almost ironically contrary about marrying the new record’s intimacy to giant screens — Lookout Mountain meets “Attack of the 50-Foot Woman”? — but with a little bit of help, maybe, from the spirits of the hippie holler, it worked.
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