Todd Gilchrist editor “For Khadija” is billed as a documentary about French Montana, but there’s a reason that it’s named not after the hip-hop alter ego of Moroccan expatriate Karim Kharbouch, but his mother. “I felt like my mother’s story, the beginning to the end, the closure of her going back to Morocco, is when I was like, okay, now the story has a meaning,” French tells Variety. “This goes out to all the mothers that struggle, that have kids, that was forced to sacrifice.” Given the other films made about rappers and their families — including “Dear Mama,” about Afeni and Tupac Shakur and “Biggie: I Got a Story to Tell,” which heavily features Notorious B.I.G.’s mother Violetta Wallace — it’s not necessarily an unexpected place to start.
But the documentary, which premieres June 16 at the Tribeca film Festival, uses the relationship between Karim and Khadija to highlight the unpredictable path that led a scrappy Moroccan child to become a worldwide rap star, while charting the financial struggles and familial strife that threatened to derail his meteoric rise.
Ahead of the festival premiere of director Mandon Lovett’s “For Khadija,” French jumped on a Zoom call to talk about his original impulse to participate in a documentary about his life, discussed how early musical inspirations inspired his style and subject matter as a rapper, and hinted at a few of the elements he held back on showing this time — but might show up in a sequel. Was telling the story of your life and career through this documentary something you were eager to do? I wanted to do it when it was right.
Some artists will come and they have a successful year, and they would drop a documentary or some artists would have a great moment and drop a
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