Lea Seydoux: Celebs Rumors

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Mark Wright shares his and wife Michelle Keegan's adorable baby pics in sweet post

Mark Wright has shared some adorable baby photos of himself and wife Michelle Keegan.The snaps, which have been merged into one, show a young Michelle sporting a white dress, while Mark is wearing a sailor-style outfit. The former TOWIE star, 37, shared the sweet picture to his Instagram story, where he added the text: "Got sent this of me and @michkeegan love it!! I won't do a poll of who's cuter [winking with tongue out emoji]." Mark and Michelle tied the knot in 2015, and their love story started in 2012 when they met while on separate holidays in Dubai.Their romance blossomed and they made their relationship public in May 2013 when they appeared on the red carpet together at the British Soap Awards.
ok.co.uk

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variety.com
United Nations? Far From It. Why There’s No Shortage of Drama in the International Oscar Race
Variety examines the Oscar selection process in an array of international markets to see what works, what’s broken and what needs fixing. Despite being over-represented in competition lineups at major festivals like Cannes and Venice, France has had a cursed track record in the international feature film race, and has been overshadowed by smaller countries like Denmark in recent years. The French haven’t been able to claim an Oscar victory in the category since 1993 with Regis Wargnier’s win for “Indochine.” In the past 15 years, only four French films submitted have landed a nomination: Ladj Ly’s “Les Miserables” in 2020, Deniz Gamze Ergüven’s Turkish-language film “Mustang” in 2016, Jacques Audiard’s “A Prophet” starring Tahar Rahim in 2010 and Laurent Cantet’s Palme d’Or-winning “The Class” in 2008. Ironically, some French-language films repping other countries in the international feature race have been more successful, such as Michael Haneke’s “Amour,” which was submitted by Austria in 2013 and won. In the upcoming race, France is vying for a nomination with Alice Diop’s Venice Golden Lion-winning “Saint Omer,” a politically minded feature debut based on the real-life trial of Fabienne Kabou, a Senegalese immigrant accused of murdering her 15-month-old baby. This year’s Oscar committee, which included the likes of Audiard (“A Prophet”), Philippe Rousselet (“CODA”) and Hengameh Panahi (“Persepolis”), was bitterly split between “Saint Omer,” acquired by Neon’s Super label after Toronto, and “One Fine Morning,” Mia Hansen-Løve’s romance drama starring Lea Seydoux, which was picked up by Sony Pictures Classics in Cannes. The heated deliberations ended with a vote, as it almost always does.
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