In a Broadway season that might be remembered for a lovely, pared-down minimalism – the intriguing starkness of A Doll’s House with Jessica Chastain, the less-is-more near-concert-style presentations of Into the Woods and Parade – director Thomas Kail’s Sweeney Todd: The Demon Barber of Fleet Street will stand out for, among many other attributes, its full-on, unabashed ambition.
A prodigious theatrical event that aims for greatness and achieves it, this revival of the Stephen Sondheim-Hugh Wheeler masterpiece is not to be missed.
With Josh Groban and Annaleigh Ashford leading a flawless, 25-member cast that also includes Stranger Things‘ Gaten Matarazzo (given one of the scores most beautiful songs in “Not While I’m Around,” and nailing it), the revival, opening tonight at the Lunt-Fontanne Theatre, makes the case that Sweeney just might be Sondheim’s greatest work (at least until the next production of Sunday in the Park comes along).
A top-tier Broadway creative team at its peak game is guided by Hamilton‘s Kail, who has perhaps never been so adept at combining grand theatricality with pin-point attention to even the smallest character detail.
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