Pat Saperstein Deputy: Celebs Rumors

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‘Catching Fire: The Story of Anita Pallenberg’ Filmmakers on Working With Her Son to Capture His Complicated Mother’s Life: ‘Marlon Encouraged Us to Go Deep and to Go Dark’

Pat Saperstein Deputy Editor A muse, a mother, a fashionista, an actor, a rock ‘n’ roll icon — it’s hard to describe exactly why Anita Pallenberg remains such a compelling figure more than a half-century after the captivating blonde sang backing vocals on the Rolling Stones’ “Sympathy for the Devil” and starred in movies like “Performance” and “Barbarella.” The new documentary “Catching Fire: The Story of Anita Pallenberg” delves into both the beautiful and tragic moments of her eventful life with the help of a treasure trove of home movies and interviews, as well as an unpublished memoir penned by Pallenberg and narrated by Scarlett Johansson. The footage is coupled with interviews of the Rolling Stones’ Keith Richards, with whom she had a significant relationship, their children Marlon and Angela Richards, director Volker Schlondorff, who cast her in some of his films, and her former friends and associates.
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James Norton Unpacks the Devastating Ending of ‘Happy Valley,’ Whether Tommy Lee Royce Is Truly a Psychopath and Those Pesky Bond Rumors
Pat Saperstein Deputy Editor SPOILER ALERT: This interview contains spoilers from the series finale of “Happy Valley” now streaming on AMC+ and Acorn. When “Happy Valley” wrapped up its second season in 2016, fans of the British police thriller were devastated that the intense series seemed to be over for good. Created by Sally Wainwright and starring Sarah Lancashire (HBO’s “Julia”) as a police officer in a hard-scrabble area of West Yorkshire, the series won the BAFTA for best drama in both seasons, and attracted a devoted audience around the world. Working in a region plagued with drugs, crime and poverty, Lancashire’s character Sergeant Catherine Cawood is a tough but empathetic cop who divides her time between solving brutal crimes and taking care of her sister, a former addict, and her grandson, whom she raised after her daughter died by suicide. Seasons 1 and 2 track her mission to bring down Tommy Lee Royce — the hardened criminal who raped her daughter and fathered her grandson, Ryan. James Norton’s nuanced performance as the violent Tommy, who still holds out hope for a relationship with his son, is the polar opposite of the crime-solving vicar he played in his next series, “Grantchester.”
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Patricia Arquette and Director Jay Roach on ‘High Desert,’ the Writers Strike and Making an Underground Comedy
Pat Saperstein Deputy Editor In the new Apple TV+ comedy noir series “High Desert,” Patricia Arquette and Matt Dillon play an off-and-on again couple so naturally that it seems like they must have starred together in some iconic 1990s indie movie. Surprisingly, they haven’t, but the off-kilter, sun-baked menace of films like Arquette starrers “True Romance” and “Lost Highway” permeates the new series, which is peopled with what Arquette calls “wild and weird creatures” in an environment that alternates between arid beauty and strip mall desolation. In “High Desert,” Arquette’s methadone-dependent, perennial wild child Peggy Newman could not be more different than her buttoned-up “Severance” character Harmony Cobel, whether she’s piloting a dune buggy around the desert, swinging from a chandelier in a Pioneertown Old West show or getting mixed up with another half-baked scam. Peggy, who recently lost her mother, needs to raise money to stay in their house. She hatches a plan to become a private investigator, getting mixed up in cases involving art forgeries and a missing guru’s wife and more. “High Desert” premiered on May 17, with new episodes rolling out weekly.
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