John Hopewell Chief International Correspondent U.K. producer Nicola Shindler received on Tuesday the third Women in Series Award at Series Mania, Europe biggest TV festival.
Few awards seem such just reward. From serving as a script editor on “Cracker” (1993), Jimmy McGovern’s breakout, to producing his “Hillsborough” (1995) and executive producing “Queer as Folk” (1999) which heralded Russell T.
Davies as a major writing talent, very few producers have been so consistently successful down the decades. Shows produced by Shindler in just the last 10 years take in Sally Wainwright’s “Happy Valley” (2014), Harlan Coben’s “The Five” (2016) and “Safe” (2018), Davies’ “Years and Years and It’s a Sin, his consecration, and now “Nolly,” made by Shindler out of Quay Street Productions, her new label launched in 2021 as part of ITV Studios. “Her lineup is amazing,” said Francesco Capurro, head of the Series Mania Forum, introducing the Award on Tuesday.
All of which raises the huge question of the key to Shindler’s success. The most obvious answer is that what she loves most – her life passion – is for a TV producer the most important job of all: Working with and for writers.
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