Sam Jones: Celebs Rumors

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variety.com
‘Jason Isbell: Running With Our Eyes Closed’ Review: A Great Music Doc That Focuses on the Making of an Album, a Marriage and a Man
Chris Willman Senior Music Writer and Chief Music Critic In 2002, director Sam Jones made what is widely considered a benchmark for 21st century music documentaries with “I Am Trying to Break Your Heart: A Film About Wilco,” a movie that lucked into just about all the subject matter that could make B-roll footage of the making of an album into A-list material. It had conflict within the band, between an auteur and another member of great talent; conflict with the soon-to-be-ex-record label, over the basically unwanted classic-to-be “Yankee Foxtrot Hotel”); and said auteur doing his own demon-wrestling, outside foils notwithstanding. Now, it’s easier to see that Jones’ good fortune in happening upon all that wasn’t all luck. More than 20 years later, Jones has come up with another gold-standard music doc, in the form of “Jason Isbell: Running With Our Eyes Closed,” newly streaming on HBO Max. This time, as the creation of another amazing record — Isbell’s “Reunions” (recorded in late 2019 and released a few months later) — is put under the filmic microscope, there are no record-company bookkeepers as unseen baddies in the backdrop to a making-of. Major labels and the conflicts that come with them are so 2002, right? But one common thread is intra-band tension… as it probably will be in most good rock docs now or 20 years from now. It gets more interesting than that, though. In this instance, the difficult vibes are between bandmates who double as a married couple — Isbell and his fiddler-spouse, Amanda Shires. Here, unlike the by-now iconic beefing between Jay Tweedy and Jay Bennett, we know no one’s ultimately going anywhere, right?
thewrap.com
Directors Guild Awards: 2022 Winners List (Updating Live)
**WINNER.Theatrical Feature FilmPaul Thomas Anderson, “Licorice Pizza”Kenneth Branagh, “Belfast”Jane Campion, “The Power of the Dog”Steven Spielberg, “West Side Story”Denis Villeneuve, “Dune”First-Time Feature Film DirectorMaggie Gyllenhaal, “The Lost Daughter”Rebecca Hall, “Passing”Tatiana Huezo, “Prayers for the Stolen”Lin-Manuel Miranda, “tick, tick…BOOM!”Michael Sarnoski, “Pig”Emma Seligman, “Shiva Baby”DocumentaryJessica Kingdon, “Ascension”Stanley Nelson, “Attica”Raoul Peck, “Exterminate All the Brutes”Ahmir “Questlove” Thompson, “Summer of Soul (…Or, When the Revolution Could Not Be Televised)”Elizabeth Chai Vasarhelyi & Jimmy Chin, “The Rescue”Drama SeriesKevin Bray, “Succession”: “Retired Janitors of Idaho”Mark Mylod, “Succession”: “All the Bells Say”Andrij Parekh, “Succession”: “What It Takes”Robert Pulcini & Shari Springer Berman, “Succession”: “Lion in the Meadow”Lorene Scafaria, “Succession”: “Too Much Birthday”Comedy SeriesLucia Aniello, “Hacks”: “There Is No Line”MJ Delaney, “Ted Lasso”: “No Weddings and a Funeral”Erica Dunton, “Ted Lasso”: “Rainbow”Sam Jones, “Ted Lasso”: “Beard After Hours”Mike White, “The White Lotus”: “Mysterious Monkeys”Movies for Television and Limited SeriesBarry Jenkins, “The Underground Railroad”Barry Levinson, “Dopesick”: “First Bottle”Hiro Murai, “Station Eleven”: “Wheel of Fire”Danny Strong: “Dopesick”: “The People vs. Purdue Pharma”Craig Zobel, “Mare of Easttown”Variety/Talk/News/Sports – Regularly Scheduled ProgrammingPaul G.
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