Andrew Barker Senior Features Writer The phrase “this one’s for the fans” is usually delivered from a defensive posture. But in the case of “Clerks III,” it’s practically a statement of purpose.
Now nearly three decades removed from the microbudget indie that made him one of the most unlikely major auteurs of the 1990s, writer-director-podcaster Kevin Smith has once again returned to the New Jersey Quick Stop where he first staked his claim as a filmmaker, bringing his now-fiftysomething slacker heroes back to confront the listlessness of middle age.
But the real focus of “Clerks III” is not really Randal and Dante at all, but rather the film “Clerks” itself, and Smith aims this third installment straight at his diminished but still rabid fanbase, for whom the film remains a touchstone.
After a lively opening sequence scored to My Chemical Romance’s “Welcome to the Black Parade” – Jersey pride is on full display in Smith’s music choices here – we settle in once again with Dante (Brian O’Halloran) and Randal (Jeff Anderson), still working at the Quick Stop, but seemingly content with their narrowing prospects in life.
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