John Ford: Celebs Rumors

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variety.com
‘The Fabelmans’ Review: Steven Spielberg Takes a Sweet, Heavily Filtered Selfie of His Formative Years
Peter Debruge Chief Film Critic No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing that feels like listening to two and a half hours’ worth of well-polished cocktail-party anecdotes, only better, since he’s gone to the trouble of staging them all for our benefit. Spielberg’s a born storyteller, and these are arguably his most precious stories. From the first movie he saw (“The Greatest Show on Earth”) to memories of meeting filmmaker John Ford on the Paramount lot, this endearing, broadly appealing account of how Spielberg was smitten by the medium — and why the prodigy nearly abandoned picture-making before his career even started — holds the keys to so much of the master’s filmography. More similar to Woody Allen’s autobiographical “Radio Days” than it is to European art films such as “The 400 Blows” and “Amistad” (the more highbrow models other directors typically point to when re-creating their childhoods), “The Fabelmans” invites audiences into the home and headspace of the world’s most beloved living director, an oddly sanitized zone where even the trauma — which includes anti-Semitism, financial disadvantage and divorce — seems to go better with fresh-buttered popcorn.
deadline.com
Julie Andrews Receives AFI Life Achievement Award In Evening That Was Pretty ‘Supercalifragilisticexpialidocious’
“Welcome to the 48th, 49th, and 50th AFI Life Achievement Awards,”  American Film Institute President and CEO Bob Gazzale stated as he began his welcoming remarks for Thursday night’s long awaited and long pandemic- delayed tribute to Julie Andrews, the 2022 honoree at a ceremony originally  set to take place in the spring of 2020 that now finally happened with all style and warmth so familiar to these AFI evenings ever since AFI founder George Stevens Jr. came up with the idea in 1973 when director John Ford was the first honoree (Stevens, now 90, was there and acknowledged from the stage last night). Since then there has never been a “gap” between cereomonies but now there is between 2019 honoree Denzel Washington and Andrews, but it was well worth the wait, and congratulations to the AFI, Board Trustees Chairs Kathleen Kennedy and Bob Daly as well as Gazzale (who is also Executive Producer of the show which will air on TNT June 16 at 10pm) for not letting Covid diminish the event, even if it had to come a little later than usual,and every member of the audience at the Dolby Theatre (transformed into a banquet setting for the elegant dinner) had to take a PCR test at least 48 hours before entering the building. Other than that it was just like old times and you could tell the industry crowd was thrilled to be there for a genuine show business legend. The only sad part was that Andrews’ The Sound Of Music co-star Christopher Plummer was not there. The Oscar winning actor had actually been set to appear at the tribute when it was originally to take place before the pandemic had other ideas. He died in Feburary of last year at age 91.
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