‘Who Killed Robert Wone?’ Review: Swann Song

metroweekly.com:

Who Killed Robert Wone? (★★★★☆).It’s not that this well-assembled true crime chronicle, directed by Jared P. Scott, fumbles its presentation of the facts revisiting Wone’s brutal stabbing death inside a Logan Circle rowhouse.What’s disturbing is the mere fact that the case remains unsolved, despite the presence inside the house that night of three men — Joe Price, Victor Zaborsky, and Dylan Ward — who most certainly know more about the circumstances of Wone’s murder than they have ever revealed to the authorities, or to Robert’s grieving widow, Katherine.As a Metro Police Department detective puts it in the film, you’ve got four people in the house, one person dead, and three others all saying, “It’s not me.” Then again, more than one person interviewed here blames the MPD for botching the case, blinded by anti-gay bias, because the rowhouse’s three residents, Joe, Victor, and Dylan, all were successful fixtures of D.C.’s LGBTQ community who happened to be involved in a polyamorous relationship.All three, to varying degrees, knew and were trusted by Robert Wone, whom everyone interviewed insists was straight and not curious.Glenn Kirschner, then chief of homicide in the U.S.

Attorney’s office for D.C., clearly had to wonder if perhaps the victim was not so straight, and if therein lay some crucial evidence of the crime.

Frankly, any reasonably worldly viewer who’s dealt with a DL or closeted guy would have their suspicions, too.Kirschner, appearing still haunted by the case — a common condition of the friends, loved ones, paramedics, police detectives, and everyone involved who appears onscreen — admits that he and his investigators also made mistakes that might have led to the murder remaining unsolved.Lingering.