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‘The Kingdom’ Review: Julien Colonna’s Corsican Father-Daughter Mob Drama Is An Understated Epic – Cannes Film Festival

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“Why do they want to kill you?” At 15, Lesia (Ghjuvanna Benedetti) is still daddy’s girl. She knows but doesn’t want to know the answer to her question, just as she has always known what Pierre-Paul (Saveriu Santucci) does for a living — a very good living — but doesn’t acknowledge it to herself. “Money.

Power. You don’t talk to these kinds of people,” her father shrugs. You wouldn’t want to talk to him either, not without an invitation.

Julien Colonna’s robust story of Corsican rule by the Mob is set in the ’90s, when the island was so thick with revenge killings that they were a nightly news feature.

As The Kingdom opens, there has been peace between the Corsican crime families for years, but the eruption of a car bomb aimed at the president, who also happens to be Pierre-Paul’s closest friend, is a warning that this respite is over: another clan is making a run for their share of the extortion, drug and dock rackets.

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