Jem Aswad: Celebs Rumors

+322

Kyla Pratt Stars in ‘The Memo,’ Film Adaptation of Minda Harts’ Thriller, With Music by MC Lyte (EXCLUSIVE)

Jem Aswad Executive Editor, Music Actor-singer Kyla Pratt stars “The Memo,” a film adaptation of the psychological thriller by Minda Harts, which also features music from pioneering female rapper and musician MC Lyte. According to the announcement, the film is a first-hand account of the tumultuous journey of a woman navigating the corporate ladder, starring Pratt, who starred in Eddie Murphy’s “Dr. Dolittle” films and multiple television series.
variety.com

All news where Jem Aswad is mentioned

variety.com
The Weeknd Teases New Music, Next Chapter of ‘After Hours’ / ‘Dawn FM’ Trilogy in Elaborate New Video
Jem Aswad Executive Editor, Music The Weeknd doesn’t do anything by half, and a day after he announced a September concert in Brazil that will feature a “never-before-seen production,” he dropped an elaborate video teaser of what his next project will look and sound like — and it’s the third and final chapter in his “After Hours” / “Dawn FM” / TBD trilogy, which he hinted to Variety last year will have a visual component, possibly a film, as well; the new video concludes with the written words, “There are three chapters in this tale.” The minute-plus-long clip, posted in his Instagram story, is a surreal series of dream-like images from the last four years of his musical career: There’s the sports car, poker thee, red suit and sunglasses and sports car he sported in “Blinding Lights” and the other videos from his blockbuster 2020 “After Hours” album, segueing into the old man imagery from “Dawn FM,” then the hooded characters featured in his “After Hours Til the Dawn” tour, and then new elements come in. There’s a character, possibly a mannequin, wearing a mask that looks very much like his own face (he wore a lot of masks on the tour) and, in the conclusion, a character that looks like him as a young boy, surrounded by a horde of white mannequins reaching for him.
variety.com
Jack White’s ‘No Name’ Is Full of the Fiery Rock and Roll His Fans Have Been Lusting for: Album Review
Jem Aswad Executive Editor, Music With no disrespect to the five fine solo albums Jack White has created in the last dozen years, it’s safe to say that “No Name” — the vinyl-only set he stealth-released on Friday, packaged in a plain white sleeve and given away for free at his Third Man Records stores — is the one fans have been lusting for: a fiery, straight-ahead, just-plug-in-and-let-rip rock and roll album in the vein of his dearly beloved and dearly departed White Stripes, but without seeming retro or leaning too heavily on nostalgia. We can also say, with as much confidence as two and a half days and multiple plays can offer, it’s the freshest and most exciting rock and roll album to come down the pike in years — and as of right now, it’s only available on rare vinyl, bootleg streams or seemingly-official MP3s: Late Friday, Third Man posted a graphic over an image of the LP on its Instagram Story with the caption “Rip It.” (Awesomely, the MP3 includes some vinyl run-off-groove scratches at the end.) Fans will know what to expect: 42 minutes and 14 songs of full-throttle, hard-riffing rock, much of it seemingly recorded live in the studio, comprised entirely of White’s testifying vocals and scorching guitar accompanied by a kickass rhythm section (likely his longtime drummer Daru Jones and bassist Dominic Davis), with just the occasional keyboard or backing vocal overdub.
DMCA