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‘Spider-Man: Across the Spider-Verse’ Review: A Triumph of Maximalist Filmmaking

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thewrap.com

raison d’être.The Oscar-winning film “Spider-Man: Into the Spider-Verse” was a beautifully animated story about Miles Morales (Shameik Moore), a teenaged Spider-Man who winds up at the center of a quantum singularity, which brought a whole bunch of different Spider-People into his world so they could save the multiverse.

A dazzling fusion of impassioned superhero storytelling, humorous characters, and meta-textual insight, “Into the Spider-Verse” argues that every version of every character is equally important and valid.

And after watching a movie that good, it was hard to argue the point.Miles Morales returns in “Spider-Man: Across the Spider-Verse.” He’s been Spider-Man for about a year now and his parents still have no idea, even though his father, Jefferson (Brian Tyree Henry), is a cop who frequently works with “Spider-Man” to stop superpowered bad guys.

They even bond over parenting advice, with “Spider-Man” trying to convince Jefferson to take it easy on his son. (Wink.)The villain of Spider-Man’s week, The Spot (Jason Schwartzman), is a scientist whose body is covered in portals.

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