Jessica Kiang There comes a time in many lives when a kind of matter transference takes place in the relationship between parent and child.
Like a sudden change of filter or aspect ratio, we see our mothers and fathers in new ways, realizing they existed before we did, thought thoughts and felt feelings entirely separate from our own.
Almost always, it’s a flower of understanding that blossoms just a bit later than we would like and when it does, it asks of us an impossible question: what to do with this new knowledge, this strange flood of retrospective awe?
Perhaps, when you’re far on the other side, looking back through the reverse end of time’s telescope, and if you’re Canadian director Anthony Shim, you make a film like “Riceboy Sleeps,” a familiar immigrant song sung in such an elegant, sincere voice that it feels like a whole new arrangement.
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