John Huston: Celebs Rumors

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Clive Owen-Starring Crime Drama ‘Monsieur Spade’ Acquired for International Distribution Ahead of EFM by Fifth Season (EXCLUSIVE)

Naman Ramachandran Film and TV studio Fifth Season has secured international distribution rights to “Monsieur Spade,” the crime drama series starring and executive produced by Clive Owen. Fifth Season will represent the title at the upcoming Berlin European Film Market. The six-episode series is based on Dashiell Hammett’s hard-boiled private detective Sam Spade, the protagonist of 1930 novel “The Maltese Falcon,” adapted several times for the screen, most notably in 1941 by John Huston with Humphrey Bogart as the sleuth.
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Marsha Hunt, 1917-2022: An Appreciation of One of Hollywood’s Genuine Heroines
Alan K. Rode The death of actress-activist Marsha Hunt this week is a historical watershed and a personal loss. Marsha was one of the last living actors who began her movie career during the Great Depression in 1935. She became part of a now vanished Hollywood, initially at Paramount then at MGM, that bound contracted talent to studios with artists having little to no say over their choice of roles and careers. Nevertheless, she thrived in the studio system by becoming somewhat less than a genuine movie star and more of a consummate professional actress.   Marsha’s career was derailed by the Blacklist, a perfidious period of American history that has been endlessly chronicled and misunderstood. Never a Communist or radical, she was a forthright liberal who refused to accept her voice being marginalized by the endemic sexism and politics of the period. Marsha was the final survivor of the Committee of the First Amendment, an action group of film actors, directors and writers founded by screenwriter Philip Dunne, actress Myrna Loy, and directors John Huston and William Wyler. Members of the group flew to Washington D.C. on October 27, 1947 to protest the HUAC hearings investigating so-called subversive Communist influence in the motion picture industry. From a public relations perspective, the group’s involvement backfired and many people in the group subsequently had to seek political cover. After the pamphlet “Red Channels” was published in June 1950, naming Marsha and 150 other artists, journalists and writers by falsely portraying them as subversives who were manipulating the entertainment system, she had a great deal of trouble finding work in Hollywood.
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