Jem Aswad-Senior: Celebs Rumors

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Scott Schinder, Veteran Music Writer, Dies at 61

Jem Aswad Senior Music Editor Veteran music writer Scott Schinder, who wrote for virtually every major music publication over the course of a three-decade-plus-long career, has died after a long illness, his friend Randy Haecker confirms to Variety. Schinder’s work can be read in Rolling Stone, Entertainment Weekly, Billboard, Time Out New York, the Austin Chronicle, Please Kill Me, Creem, Musician, Newsday, Stereophile, Musician, Tower Pulse, New Musical Express, Melody Maker, Texas Music, SXSWorld and probably many others. No cause of death has been announced; he was 61. A native of Long Island and a longtime New York resident, Schinder was a ubiquitous presence on the city’s music scene, where, beginning in the 1980s, he could be found most nights of the week at CBGB, Irving Plaza, Maxwells, Under Acme, Brownies and multiple other venues of the era. Indeed, the photo on his author page at Please Kill Me could have been taken at one of dozens of different venues in the city on any of a couple thousand evenings (it was actually taken at CBGB circa early 1990s).
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ABBA’s ‘Voyage’ Virtual Concert to Go on Tour ‘Around the World’
Jem Aswad Senior Music Editor ABBA’s ‘Voyage’ virtual concert — which opened in a specially built London arena last May and has sold more than 1 million tickets — will go on a global tour, Universal Music Group chairman Lucian Grainge confirmed during the company’s earnings call on Thursday. “Plans are now in development to take ‘ABBA Voyage’ around the world,” Grainge said on the call. Presumably, that means the show will be playing in specially modified arenas in major cities across the globe. Contacted by Variety, reps for ABBA and Universal, the group’s label, did not immediately have further information. While details are slim and the news is not a shock, it is the first official confirmation that the show — a multi-multi-million-dollar project, nearly six years in the making, that saw George Lucas’ Industrial Light & Magic using motion-capture technology to create “ABBA-tars” of the group as they looked in 1979 playing a 90-minute concert of their most-loved songs — will play somewhere besides the London theater. While technically not a hologram show, “Voyage” represents a new peak in that type of technology — the four bandmembers, who are now in their seventies, spent many hours performing for the motion-capture cameras to appear as lifelike as possible. It has received rave reviews nearly across the board.
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StubHub Slams Live Nation’s ‘Anything But Fair’ FAIR Ticketing Act Proposal
Jem Aswad Senior Music Editor Amid last week’s announcement of record earnings of $16.7 billion in 2022, Live Nation came out with guns blazing about last month’s Senate hearing examining the ticketing industry — which was fiercely, if one-sidedly, critical of Live Nation’s Ticketmaster division — and took aim at the secondary ticketing market, which it identifies as the major problem facing the industry and concertgoers worldwide. As part of that counter-offensive, it announced what it calls the FAIR Ticketing act (full details of which can be found here), the basic tenets of which state: that “artists should decide resale rules,” which would be an effort to allow artists to take the lead in preventing exploitative prices on the secondary market; would “make it illegal to sell speculative tickets,” addressing scalpers’ habit of tricking fans into buying tickets that do not yet exist; would “expand the BOTS Act,” to combat the widespread use of ticket-buying bots on the secondary market; “crack down on resale sites that are safe havens for scalpers,” which would force secondary-market sites to police the activity on their platforms more aggressively; and “mandate all-in-pricing nationally,” which would address the processing and other fees that often are not revealed until very late in the sale process.
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George Harrison’s Solo Catalog Moves to Dark Horse-BMG
Jem Aswad Senior Music Editor The solo catalog of George Harrison has moved to Dark Horse Records via BMG, the company announced on Tuesday. Harrison’s family retains the rights to the catalog. Beginning in 1968, Harrison’s solo discography was released first on the Beatles’ label, Apple Records, and later Harrison’s own Dark Horse Records through Warner Bros. Records. In 2021 Universal Music’s catalog division released a deluxe anniversary edition of Harrison’s classic 1970 album “All Things Must Pass.” The 12-album catalog includes Harrison’s debut “Wonderwall Music” (the soundtrack to the film “Wonderwall”), “All Things Must Pass,” the 1973 follow-up “Living in the Material World,” his 1987 comeback album “Cloud Nine: and his final studio album, “Brainwashed,” which was released in 2002, the year after his death from cancer. It also includes the live double album “Live in Japan,” featuring Eric Clapton and the compilations “Let It Roll – Songs by George Harrison,” “Early Takes Vol 1, The Apple Years 1968-1975,” and “The Dark Horse Years 1976-1992.” In celebration of Harrison’s 80th birthday on Feb. 25, Dark Horse/BMG have released his entire catalogue in Dolby Atmos surround sound exclusively on Apple Music.
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Warner Chappell Launches ‘Stories From the Great American Songbook’ Podcast Series
Jem Aswad Senior Music Editor Warner Chappell Music publishing has unveiled an original podcast series called “Setting the Standard: Stories from the Great American Songbook,” in partnership with Bang/Audiation – the team behind WCM’s podcast “Final Sessions: Harry Nilsson’s Losst and Founnd.” The new podcast will “weave together story and song into a tapestry of American cultural history for songwriters, historians, musicians, artists, and fans alike,” according to the announcement. Launching on October 25th, “Setting the Standard” will feature eight episodes – each on a different legendary songwriter – starting with three-time Oscar-winning and pioneering film composer Harry Warren. Additional episodes will roll out throughout the year and spotlight composers and songwriters including Cole Porter, George and Ira Gershwin, Jule Styne, and more. Using historical sources and new discussions with scholars, critics, artists, and family members, the series will tell the stories of their lives and highlight their most iconic songs. It will also feature exclusive interviews from artists like Billy Corgan and Michael Feinstein, and top songwriters such as Justin Tranter.
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Lin-Manuel Miranda Details His Songwriting Process for ‘Encanto’ and ‘Hamilton,’ and the ‘Emotional, Surreal’ Experience of Seeing His First Songbook
Jem Aswad Senior Music Editor In the digital age, the traditional songbook — filled with lyrics and sheet music and maybe some pictures — can feel like a lost art, but it certainly is not to classical musicians, and particularly musical theater veterans. So even for Grammy, Emmy, Tony and Pulitzer winner Lin-Manuel Miranda, his first songbook, containing 27 songs from “Hamilton,” “Encanto,” “In the Heights” and more, was a big deal.Can’t believe there’s enough music for a collection, but here we are. I have a songbook. From In The Heights through Encanto. Wrote a foreword and everything. Overwhelmed and proud and grateful. Available now from @hal_leonard. -LMM pic.twitter.com/ydfREAs3Ym Such a big deal that Miranda’s songbook-release party in Manhattan last week was an extended-family gathering, attended by his parents, sister, nephews, friends, music teachers from several New York schools — and even Lin-Manuel’s former teachers — as well as city music programs serving underrepresented children, and fellows from the Miranda Family Fellowship Program, which aims to increase access to education and careers in the arts for emerging artists from underrepresented communities.
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