Jem Aswad-Senior: Celebs Rumors

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Scott Schinder, Veteran Music Writer, Dies at 61

Jem Aswad Senior Music Editor Veteran music writer Scott Schinder, who wrote for virtually every major music publication over the course of a three-decade-plus-long career, has died after a long illness, his friend Randy Haecker confirms to Variety. Schinder’s work can be read in Rolling Stone, Entertainment Weekly, Billboard, Time Out New York, the Austin Chronicle, Please Kill Me, Creem, Musician, Newsday, Stereophile, Musician, Tower Pulse, New Musical Express, Melody Maker, Texas Music, SXSWorld and probably many others. No cause of death has been announced; he was 61. A native of Long Island and a longtime New York resident, Schinder was a ubiquitous presence on the city’s music scene, where, beginning in the 1980s, he could be found most nights of the week at CBGB, Irving Plaza, Maxwells, Under Acme, Brownies and multiple other venues of the era. Indeed, the photo on his author page at Please Kill Me could have been taken at one of dozens of different venues in the city on any of a couple thousand evenings (it was actually taken at CBGB circa early 1990s).
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Will Roger Waters’ Explosive New Comments About Israel and Ukraine Sink a $500 Million Pink Floyd Catalog Sale?
Jem Aswad Senior Music Editor While there’s been no official word, Pink Floyd has been shopping its recorded-music catalog and other assets for several months, seeking as much as $500 million, according to the Financial Times, with both major music companies and investment firms as the top bidders. But sources say an explosive new interview with founding member, main songwriter and stakeholder Roger Waters — in which he makes extensive remarks about Israel, Ukraine, Russia, the U.S. and other political matters that one could politely characterize as controversial — is giving at least one potential buyer cold feet and seems likely to lead others to rethink their positions. For years Waters has sounded off about politics in the press and at his concerts, most controversially Israel’s policies. But the new interview in Rolling Stone raises (or lowers) the bar considerably. While interviewer James Ball does his best to challenge some of Waters’ more far-fetched statements, the former Pink Floyd singer argues emphatically that some Jewish people in the U.S. and U.K. bear responsibility for the actions of Israel “because they pay for everything”; that well-documented accounts of Russian war crimes in Ukraine are “lies, lies, lies”; that the United States is “the most evil [country in the world] of all by a factor of at least 10 times”; that Russia’s brutal military involvement in Syria is justified because “they were there at the invitation of the Syrian government” (which is led by one of the world’s most murderous dictators, Bashar Assad), and more. (See a 12,000-word transcript of the interview here).
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Yeah Yeah Yeahs Launch a Whole New Chapter With the Towering ‘Cool It Down’: Album Review
Jem Aswad Senior Music Editor Two decades ago, as the turn-of-the-century NYC indie-rock scene burst out of its East Village and Williamsburg incubators, few probably expected that the Yeah Yeah Yeahs would end up having the most wide-ranging career of the bunch. After all, a trio consisting of a wiz-kid guitarist, powerhouse drummer and a fireball lead singer might have made for explosive shows and a scrappy, deceptively diverse debut EP, but with no shade intended to the Strokes, Interpol, LCD Soundsystem, TV on the Radio and all the others, the multiple musical directions the band would go did not seem to be in the cards. The Yeahs had the first hit single of the pack (2003’s “Maps”) and varied their approach with each successive album, peaking with 2009’s unexpectedly electronic-heavy “It’s Blitz.” That album represented the end of that particular thread: The group released one more, rockier album “Mosquito” in 2013 (which, significantly, fulfilled their major-label contract) and then basically went on hiatus. In the years since, singer Karen O released a stellar collaboration with Danger Mouse, “Lux Prima” and co-composed the score for the animated film “Where Is Anne Frank?,” guitarist Nick Zinner also scored films and worked with Phoebe Bridgers and Songhoy Blues, and drummer Brian Chase started his own label. Such hiatuses are often permanent, but the group reunited for a tour in 2017, and five years and a pandemic later, there’s finally a reunion album — and it continues the group’s evolution with a powerful, more seasoned take on their earlier sounds.
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Two People Arrested in Connection With in PnB Rock’s Murder, Third Suspect Sought
Jem Aswad Senior Music Editor A teenager and a woman are in custody in the murder of rapper PnB Rock, who was shot fatally on Sept. 12 in Los Angeles, police confirmed to Variety on Wednesday. Police are also searching for the teenager’s father in connection with the murder, whom they say is armed and dangerous. A minor was arrested on suspicion of murder, and Shauntel Trone, 38, was arrested on suspicion of accessory to murder, LAPD Capt. Kelly Muniz told the Los Angeles Times. The minor’s father, Freddie Lee Trone, 40, is still at large. The LAPD has released his photograph and requested public assistance in locating him. Rock, 30 (real name: Rakim Allen) was murdered at Roscoe’s House of Chicken & Waffles in South Los Angeles, where he had been dining with his girlfriend. A gunman demanded jewelry and other valuables from him before getting into a struggle with PnB and opening fire, LAPD Chief Michel Moore told the Times. Moore added that the shooting occurred soon after the rapper was tagged online as being at the restaurant, and police are investigating whether the post led to the attack, although an earlier report in TMZ says that the attackers had been sitting in the restaurant’s parking lot at the time of the post. That report also says that Trone and his son burned the getaway car in an effort to destroy evidence.
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Muni Love Delivers a Sultry Blast of Vintage ’90s R&B With ‘Public Displays of Affection’: Album Review
Jem Aswad Senior Music Editor There’s been no shortage of neo-R&B albums over the past few years, but so many of them are led by breathy female singers who feel like they’re singing in your ear — very few have had full-voiced singers at the forefront. And although Muni Long isn’t a belter and does put on the bedroom voice on a couple of tracks, her first full-length album is a blast of vintage ‘90s R&B that isn’t trying to be cute: It’s filled with frank lyrics about of love and sex from an artist who’s been around for more than a minute. Working under the name of Priscilla Renea, Muni has long been a songwriter whose soul and pop smarts helped forge hits such as Ariana Grande’s “Imagine,” Fifth Harmony’s “Worth It,” Rihanna’s “California King Bed,” along with tracks for Mariah Carey, Kelly Clarkson, Madonna, Mary J. Blige, Miranda Lambert, Selena Gomez and more.She released strong albums under that name too — 2009’s “Jukebox” and 2018’s “Coloured” — but neither of those records had the sparkle, innovation and warmth that her songwriting catalog contained. A change of name, an independently-released EP featuring the haunting, quirky hit “Hrs and Hrs,” and suddenly, Muni Long is a new artist with a remarkably seasoned and strong debut album.
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