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In ‘Blue Sun Palace,’ U.S.-Made Critics Week Charmer, Constance Tsang Reframes the Chinese Immigrant Tale With Empathy – and a Stellar Cast

Patrick Frater Asia Bureau Chief First-time feature director Constance Tsang makes a splash in Cannes with “Blue Sun Palace,” the first U.S. film in Critics Week that is in the Mandarin Chinese language. Set in a massage parlor, staffed with Chinese immigrants, in Queens, New York, the melodramatic film tells of how the romantic relationship between a man and a woman is disrupted by a sudden disappearance. Tsang was careful to avoid stereotypes and to be true to the community that she grew up in and observing. But the feature effort was also a big step up from the short films she cut her teeth on. Underlining that point, she amassed a powerful cast of leading Chinese-speaking actors, including Lee Kang-sheng (“What Time Is It There” and a dozen Tsai Ming-liang films), Wu Ke-xi (“Nina Wu,” “The Road to Mandalay”) and rising Mainland China star Xu Haipeng.How did you jump from a succession of short films into your first feature? I would say that jumping into the feature is exactly what happened.
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Quinzaine-Backed Film Training Program, Directors Factory Sets Up Shop in The Philippines (EXCLUSIVE)
Patrick Frater Asia Bureau Chief Cannes’ Directors Fortnight section has joined forces with The Philippines for the latest edition of its Directors Factory professional training program. Operating since 2013, when it kicked off in Taiwan, the Directors’ Factory works with a new partner country each year to mentor eight budding filmmakers who are preparing ambitious first or second feature projects that they will make in pairs. The four resulting co-written and co-directed short films will be screened as part of the Directors’ Fortnight (aka Quinzaine des Cineastes) in May. Four pairs were selected in Manila in October: Eve Baswel (Philippines) and Gogularaajan Rajendran (Malaysia); Maria Estela Paiso (Philippines) and Ashok Vish (India); Arvin Belarmino (Philippines) and Lomorpich Rithy (aka YoKi) (Cambodia); Don Josephus Raphael Eblahan (Philippines) and Tan Siyou (Singapore). They have now begun writing their screenplays and are expected to shoot their films March in Dapitan, a city in The Philippines’ Zamboanga Peninsula, known for its many shrines and as the place of exile of Philippines’ national hero, Jose Rizal. These days it is a hub for domestic and international tourism. Post-production of the four titles will then be hosted in Quezon City, which seeks to become the new film capital of the Philippines and where many of the country’s post-production houses are already based. The program is operated and co-produced by Epicmedia Productions of The Philippines and Dominique Welinski, founder and curator of DW (France).
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