Frater Asia: Celebs Rumors

Patrick Frater Asia Bureau Chief Fact-based action drama “12.12: The Day” won a fourth weekend at the South Korea box office and became the second highest grossing film of the year. The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After releasing on Nov.

Patrick Frater Asia Bureau Chief “Taylor Swift: The Eras Tour” movie has cleared multiple stages of approvals and will release in mainland Chinese theaters on Dec. 31. The announcement, foreshadowed by Variety earlier this month, was made at 1.13pm (or 13.13) on Friday in China, a reference to Swift’s birth date and lucky number.

Patrick Frater Asia Bureau Chief “Oppenheimer,” followed closely by “Barbie” and “The Killers of the Flower Moon,” collected the most nominations for the Australian Academy of Cinema and Television Arts (AACTA) International Awards. The AACTA International awards recognize global, not only Australian-made, film and TV productions from the current year and are voted on by Australian professionals. The separate AACTA Awards focus on Australian-made content. The winners of the AACTA International Awards will be announced on Feb.

Patrick Frater Asia Bureau Chief The first and second seasons of the hit thriller series “The Tourist,” starring Jamie Dornan and Danielle Macdonald, will shift to Netflix starting next February. The first season originally saw Warner Bros. Discovery’s Max as a co-producer and local streaming partner.

Patrick Frater Asia Bureau Chief Iconic, multi-Oscar-winning film “La La Land” is headed back to mainland Chinese cinemas in sessions that dance off on Dec. 22. The worldwide release is overseen by Lionsgate release, while the China re-release is to be piloted by local distributor JL Film.

Patrick Frater Asia Bureau Chief Australian streamer Stan has acquired rights to both seasons, totaling 20 episodes, of the Malaysian adaptation of Scandinavian crime series “The Bridge.” The agreement, brokered by Lyle Bettson-Barker, SVP Australia and New Zealand from Banijay Rights, represents the first time that Stan has acquired a Malaysian drama series. The Asian version of “The Bridge” was initially commissioned by Viu and HBO Asia in 2018, after Double Vision, part of the Vision New Media group, introduced Viu to the format. It broadcast to across 23 territories in the combined footprints of Viu and HBO Asia and was also shown on Viu in South Africa.The title has garnered more than 20 regional awards and nominations across its two seasons, making it the most awarded drama in Malaysian history. Season one faithfully follows the original show, and sees a dead body found on the border between Malaysia and Singapore, necessitating an investigator from each country to work together to solve the crime.

Patrick Frater Asia Bureau Chief Two Hollywood films “Wonka” and “Migration” opened in Chinese cinemas over the latest weekend. But neither did enough business to appear among the box office top five. Instead, the weekend crown went to “The Invisible Guest,” a Chinese remake of the 2016 Spanish mystery thriller about a woman who must work with a police officer to clear her name after her lover is found dead in a locked room. It earned a modest $12.6 million (RMB89.6 million), according to data from consultancy Artisan Gateway.

Patrick Frater Asia Bureau Chief Fact-based political thriller “12.12: The Day” dominated the Korean box office for the third successive weekend and advanced its takings haul beyond $50 million. It was far ahead of “Napoleon,” which opened a disappointing third. The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It has held up particularly strongly and dropped by only 12% in its third weekend.

Patrick Frater Asia Bureau Chief Fifth Season, the production and distribution company previously known as Endeavor Content, has secured a $225 million strategic investment from Toho International, the Japanese film and TV studio behind current box office hit “Godzilla Minus One.” The investment gives Toho a 25% equity stake in the company and leaves Korean entertainment conglomerate CJ ENM as Fifth Season’s majority owner. Former parent company, Endeavor Group Holdings continues as a strategic shareholder. CJ ENM and Fifth Season will work with Toho to both produce global content and participate in content produced in Japan.

Patrick Frater Asia Bureau Chief Johnny & Associates, the Japanese talent agency that has been embroiled in a huge sexual abuse scandal, is rebranding itself as Starto Entertainment. The name is derived from the words ‘star’ and ‘to’ implying “to head toward the future,” the group said on Friday. “It is an expression of our commitment to all our artists current and yet to come, with whom we inaugurate a new era in accordance with their individual talents and personal goals,” the group explained. Johnny & Associates was for many years the most powerful talent shop in Japan, creating idol groups such as Snow Man, and leveraging its male performers into film and TV roles. It was brought low by a scandal relating to its founder Johnny Kitagawa who abused young male performers over a period of decades before his death in 2019.

Patrick Frater Asia Bureau Chief Thailand’s broadcast and streaming group Mono Next and Korea’s Studio Genie have struck a deal to collaborate on content creation and distribution. Production of a Thai remake of a Korean series is on the cards, but has not been finalized. The memorandum was announced on stage at the Asia Television Forum in Singapore on Wednesday, with streaming unit Mono Streaming signing on behalf of the Thai group.

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.

Patrick Frater Asia Bureau Chief China’s Linmon Media celebrated its tenth anniversary this week by unveiling 16 new shows for its 2024 production and release slate. The roster included seven Chinese period drama series, five contemporary shows and two more being made in Thailand. “We are not just a producer, we are a studio,” Zhou Yuan, co-founder and EVP of Linmon, told Variety on the sidelines of the company’s predominantly English-language presentation at the Asia Television Forum & Market in Singapore.

Patrick Frater Asia Bureau Chief Indie distributor Bitters End is to give a theatrical release in Japan to Christopher Nolan’s “Oppenheimer.” The film is controversial in Japan where the two atomic bombs were detonated in 1945, killing hundreds of thousands of Japanese citizens. The film was released in most territories in July by Universal and went on to gross $950 million worldwide. But Toho-Towa, which handles most universal titles in Japan, did not go ahead with the release.Variety understands that giant ad agency and rights broker Dentsu was involved in finding an alternative outlet in Japan. “Bitters End, will release Christopher Nolan’s ‘Oppenheimer’ in Japan in 2024.

Patrick Frater Asia Bureau Chief Hollywood’s role in Asian TV has changed in the streaming era and age of hyper-local content. A top-down sales and distribution position has eased into one of co-production, co-financing and acquisition. A high-powered array of western executives offered experienced views and discussed their current positions at a panel session Thursday within the Asia Television Forum & Market in Singapore. “We want to be an additive partner on shows that cannot be created locally, said Georgina Gonzalez, director of scripted series and global series at Universal Int’l Studios, NBCU.

Patrick Frater Asia Bureau Chief Wang Jianlin, the Chinese billionaire who previously sought to buy a controlling position in Hollywood, is preparing to complete his imminent exit from the film industry. The troubled conglomerate is facing debt repayment pressure.Wanda Film, which remains China’s largest cinema operator, Wednesday said in a regulatory filing to the Shenzhen Stock Exchange that Wang and his Wanda Investment vehicle expect to sell their remaining stake 51% in the company to China Ruyi Holdings. Ruyi, which operates across film, TV and online games, counts games, social media and streaming giant Tencent among its largest shareholders.

Patrick Frater Asia Bureau Chief Leading Japanese publishing house Kodansha has struck a deal with new production company Majestic Limited for a feature film adaptation of its “Origin” comic. Created by Boichi (“Dr. Stone,” “Sun-Ken Rock”), a renown Korean manga artist (real name Park Mu-jik) who is based in Japan, “Origin” is set in a near-future where humanity has achieved incredible advancements in technology and robotics. It tells a story of self-discovery, morality, and what it means to be human. Winning the grand prize for manga at the 22nd Japan Media Arts Festival and currently only printed abroad, the English translation of “Origin” hit U.S.

Patrick Frater Asia Bureau Chief South Korea’s subscription video market grew by more than 700,000 in the third quarter to reach more than 19 million, according to new research from research and consultancy firm Media Partners Asia. The firm’s “Online Video in Korea” report shows that Disney+ was the fastest growing platform in the period studied, propelled by its hit Korean-produced series “Moving.” The company now has some two million subscribers in the country, though it still trails market leaders Netflix and Tving.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Patrick Frater Asia Bureau Chief Universal Music Greater China has signed a strategic partnership with Mandarin-language music superstar Jay Chou and his record label JVR Music. The agreement secures global marketing and distribution rights for Chou’s extensive music catalogue and for future projects. It also supports rising talent from his label, including artists Patrick Brasca and Young (aka Cao Yang) through JVR. Nicknamed the ‘King of Mandopop’ Chou has a two decade career that spans 15 studio albums, eight world tours and 378 concerts in Asia, America, Europe, and Australia.

Patrick Frater Asia Bureau Chief K-pop girl group Blackpink has finally signed renewed contracts with YG Entertainment.The news was revealed in a regulatory filing by the company on Wednesday and caused its KOSDAQ-listed shares to leap by 26% to KRW60,700 by midday. “The board has completed a resolution about renewing the contracts with Blackpink’s four members,” YG said in the filing. In a press statement the company said that Blackpink plans a new album and a world tour. “We are pleased to continue our relationship with Blackpink,” YG founder Yang Hyun Suk said in the statement.

Patrick Frater Asia Bureau Chief Singapore is launching a new fund to support international coproduction of TV series. It will also expand government investment into virtual production (VP). The two moves were announced on Wednesday by senior minister of state for communications and information Tan Kiat How at the opening ceremony of the Asia Television Forum and Market (ATF).

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Patrick Frater Asia Bureau Chief China and Netherlands-based Fortissimo Films has picked up international sales rights to anticipated Chinese blockbuster movie “If You Are the One 3.” To be released on Dec. 30 in China, the picture is directed by Feng Xiaogang as the second sequel in his anti-romance comedy franchise, about a rich businessman and an air stewardess, which kicked off in 2008 and earned a follow-up in 2010.

Patrick Frater Asia Bureau Chief Macau casino operator, Sands China entered into a strategic partnership with Chinese streaming company Tencent Video and Chinese cinema ticketing firm Maoyan Entertainment. The three parties will team up to host large-scale offline events, content creation of lifestyle and entertainment programs and online marketing and promotion. Operating The Venetian Macao, The Parisian Macao and The Londoner Macao casino resorts, Sands runs several large entertainment facilities in Macau, including the 15,000-seat Cotai Arena, the 1,800-seat Venetian Theatre, the 6,000-seat The Londoner Arena, the 1,200-seat The Parisian Theatre, and the 1,700-seat Londoner Theatre. The three will co-organize events in Macau including live performances, concerts, films, TV series, variety shows, sports and cultural activities.

Patrick Frater Asia Bureau Chief Donovan Chan, co-chief and creative director of Singapore-based Beach House Pictures has operations that span scripted, unscripted and branded TV as well as film, across the width of the Asia region. That gives him a unique perspective on a trying last year and where the upsides appear to be. He sat down with Variety on the eve of the Asian Television Forum.

Patrick Frater Asia Bureau Chief Singapore actor and filmmaker Alaric Tay (“Zombiepura”), through his Very Tay Media company has joined forces with two Philippines companies Black Ops Studios Asia and PsyOps Studios to produce a slate of films aimed at international markets. The venture, that was facilitated by Hong Kong-based producer Mike Leeder, was announced on the eve of the Asia Television Forum (ATF) in Singapore. They aim to put together a combined slate across diverse genres, including action, sci-fi, horror and comedy and have suggested a timeline extending to the fourth quarter of 2026. The joint venture also includes partnerships with other Asian companies including Screen Ops (HK), Fly Entertainment, Causeway Media Productions and IAmCasting. “Singapore and the Philippines have the individual potential to execute projects with commercial appeal,” said Tay. “But by building stories together with like-minded visionaries beyond our own shores, we can elevate the types of projects that are being produced in our collective countries.” Tay was the star and executive producer of 2018 Singapore zombie movie “Zombiepura.” He was also co-producer and director of HBO Asia’s first comedy drama series “SeNT” and is best known for playing multiple characters on Mediacorp satirical series “The Noose.” Headed by director Pedring Lopez and producer Rex Lopez, Black Ops Studios Asia and PsyOps Studios focus on action films and series.

Patrick Frater Asia Bureau Chief France-based multinational Studiocanal has launched Cultivator Films to facilitate local co-productions in Australia and will kick off with book-to-film adaptation “Kangaroo.” “Kangaroo” is scripted by Harry Cripps (“The Dry,” “Penguin Bloom”) and directed by Kate Woods (“The Lincoln Lawyer,” “The Umbrella Academy,” “The Good Lord Bird,” “Looking for Alibrandi”). Eastern Arrernte emerging director Samantha Laughton is set as a director’s attachment. Slated to start production in Alice Springs in the first half of 2024, “Kangaroo” is a Northern Territory-inspired story based on Chris Barnes, aka ‘Brolga,’ who is the founder of the Kangaroo Sanctuary in Alice Springs. Cultivator Films Australia is led by Studiocanal’s Australia and New Zealand CEO Elizabeth Trotman.

Patrick Frater Asia Bureau Chief Ridley Scott’s historical epic “Napoleon” was cruelly defeated at the mainland Chinese box office, where it opened in only fifth place on its opening weekend. Chinese crime thriller “Across the Furious Sea” headed the mainland China charts for a second weekend, earning $20.0 million (RMB142 million), according to data from consultancy Artisan Gateway. “Napoleon” earned just $2.8 million ($19.6 million) in China, according to the firm whose figures are generally considered as final, not estimates. The film earned generally mixed to positive reviews, but only a middling score of 6.6 out of 10 from users of the Douban movie fan site. But it appears that Chinese audiences found the travails of an ancient French emperor to be too much of a specialist topic.

Patrick Frater Asia Bureau Chief Political drama thriller “12.12: The Day” dominated the South Korean box office for a second weekend with a $13 million haul. Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%. Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend. After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture.

Patrick Frater Asia Bureau Chief Negotiations are under way to secure a December or more likely an early January release for Taylor Swift’s “The Eras Tour” movie in mainland China cinemas. The film, which has grossed some $250 million worldwide since debuting on Oct. 13, is currently being reviewed by Chinese authorities.

Patrick Frater Asia Bureau Chief I.E. Entertainment, the global distribution outfit founded and run by industry veterans Indra and Erlina Suharjono, has come on board to handle worldwide sales for Cathay Film Company’s “Coolie.” The TV miniseries is inspired by the little-known history of enslaved Chinese ‘coolies’ in Cuba in the 1860s.

Patrick Frater Asia Bureau Chief “Full River Red,” the Zhang Yimou-directed period comedy-drama that released in January this year has earned its producer Huanxi Media Beijing the 2023 Asia Pacific Box Office Achievement Award at the CineAsia convention. The convention gets under way Monday in Bangkok and will run till Thursday (Dec. 4-7).

Patrick Frater Asia Bureau Chief Ridley Scott’s “Napoleon” could be facing a Waterloo in China, where early box office indications point to a disappointing opening shot. The Apple Original Films production had clocked RMB6.1 million ($860,000) by 7:45 p.m. local time in mainland China on Friday, according to estimates from ticketing and box office tracking firm Maoyan.

Patrick Frater Asia Bureau Chief Taiwanese feature “The Mimicry” was named best picture at the first edition of the Cinema at Sea – Okinawa Pan-Pacific International Film Festival. The festival ran Nov.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery China is launching reality TV show “Glow Up China” in mainland China later this month. Delving into the universe and talents of Chinese make-up artists, the series will launch on leading streaming platform Tencent Video in December at a yet-to-be-specified date. The 6×60 minute show is a Warner Bros.