calling them “scapegoats” in the opening intro. Still, success did go to Morvan and Pilatus’ heads, as Cohen points out, and they were arrogant and obnoxious.
Armed with their phenomenal success with the first album, they honestly thought they could play hardball with Farian. They were wrong.
Interviewees cast Farian as the real villain, citing his history of exploiting Black artists, including the group Boney M. He could have developed Morvan and Pilatus and provided them with voice lessons, but he was just trying to use their likeness to make a quick buck.
In fact, after Farian fired them, he assembled The Real Milli Vanilli vocalists again, along with others who did not sing on the first record.
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