Alternative: Celebs Rumors

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Watch Drop Nineteens return for first show in 30 years

Hard Light‘, as well as older hits from their earlier works.Drop Nineteens also took time to tackle Lana Del Rey‘s ‘White Dress’ from her 2021 LP ‘Chemtrails Over the Country Club’ and Madonna‘s 1984 track ‘Angel’.
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All news where Alternative is mentioned

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Gossip’s Beth Ditto had never heard Rihanna’s ‘Umbrella’ until Jessie Ware sang it to her in the rain at Glastonbury
Gossip’s Beth Ditto has revealed that she had never heard Rihanna’s hit song ‘Umbrella’ until Jessie Ware sang it to her at Glastonbury.The discussion arose as part of a new interview between the Gossip singer and the ‘Free Yourself’ artist as part of a new episode on the latter’s Table Manners podcast.In the discussion, Ditto recalled a time when she was at Glastonbury back in 2007 to perform with her bandmates, and was introduced to the song for the first time – despite it dominating charts around the world at that point.According to Ditto, she first heard the song when a then-unknown Jessie Ware was singing it in the audience as a rainstorm hit the festival, and had no idea the song was already a chart hit.“I did not realise that was you, and in my memory, the first time I’d ever heard the song ‘Umbrella’ was you and your friend. I remember the two of you, your haircut… everybody did it because you had an umbrella,” she told Jessie and her mum Lennie.“It’s such a core memory for me because I remember that day that these two girls walked up to me, I remember y’all singing ‘Umbrella, ella, ella‘ and I was thinking ‘These girls are singing a hit!’ I did not know it was a Rihanna song, I thought you made it up!”She continued, admitting that she had tried to tell the story countless times in the years since, particularly after Ware made it into the spotlight herself with her pop career.“I’d never even heard that song, it doesn’t sound that crazy when I tell you.
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BBC Radio 6 Music announce new ‘Courtney Love’s Women’ series
Courtney Love’s Women.The series will see the music legend share her “ultimate soundtrack to her life” as she reflects on the women in music who have “shaped her journey, her sound and her next chapter”.Across eight episodes that will air from April 8 to April 15, the Hole founder and singer will journey through the eras of her life and the music that made her alongside her friend and music podcaster and writer, Rob Harvilla.Love will recall the musical moments from throughout her formative years as part of the series, including when she discovered disco through the record collection at a childhood care home and recited Sylvia Plath poetry for a Mickey Mouse Club audition.She will also detail her love of Billie Holiday and Nina Simone and recall her time at an all-girl boarding school in New Zealand and in juvenile detention, before she reflects on couch-surfing across America and struggles with drug abuse.Other topics covered in the series will include her acting career, her attempts to creatively matchmake Stevie Nicks and Billy Corgan, hanging out with Debbie Harry at a Limp Bizkit album launch at the Playboy Mansion, Gwen Stefani – after years of public feuding between the pair – her relationship with Nirvana‘s Kurt Cobain, taking pandemic guitar lessons with The Big Moon’s Juliet Jackson and more.Samantha Moy, Head of BBC Radio 6 Music, said in a press statement: “Courtney Love is an icon and a trailblazer – her influence on music and culture over the decades is undeniable.
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Twenty One Pilots are filming music videos for every song on new album ‘Clancy’
Twenty One Pilots have revealed that they are in the process of filming music videos for every song on their new album.The Columbus duo’s sixth LP, ‘Clancy’ – which is also the follow-up to 2021’s ‘Scaled and Icy’ – will drop on May 17 via Fueled By Ramen.They had been teasing their new era over recent weeks, with fans noticing that across their digital platforms, all of the artwork for previous albums now featured strips of red tape covering all the eyes on each cover.They went on to share details of the new LP by sharing the lead single ‘Overcompensate‘, and now it looks like there is a lot more to come from the duo.Comprised of Tyler Joseph and Josh Dun, Twenty One Pilots have confirmed that they will be releasing accompanying music videos for every song on the album.Joseph shared the news on social media, revealing that the two have already finished work on eight of the music videos, and have seven more in the pipeline.i don’t like visualizers or official audios.so we are shooting a music video for every song on clancy–some of them lower budget diy types.we have 8 done right now, 6 to go (13 tracks but one has two versions, so 14 total)actually, 1 i don’t like so we’re reshootingso 7 more— tyler jøseph (@tylerrjoseph) March 15, 2024i asked josh if he wanted to write and direct one.he told me he wanted a little time to think of an idea before committing to it.i’ll keep you posted on what he says.— tyler jøseph (@tylerrjoseph) March 15, 2024While the album is only set to feature 13 tracks, the musician confirmed that the two extra videos come from them re-shooting one that was already finished, and that one of the songs will have “two versions”.That being said, not all of the videos are set to be as cinematic as that
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Big Special get real on ‘Butcher’s Bin’: “The working classes are used as nothing but a commodity”
Big Special have shared the politically aware new single ‘Butcher’s Bin’ – check it out below.Announced today (March 13), the new single is the latest to be taken from the duo’s upcoming debut album ‘Postindustrial Hometown Blues’, which is set for release on May 10 via SO Recordings.Following on from the lead single ‘Dust Off / Start Again’, the new track sees Big Special hone in on a synth-dominated sound, and shed light on the attitudes shown towards the working classes in today’s Britain.“‘Butcher’s Bin’ is about class awareness and the realisation that the working classes are used as nothing but a commodity and set against each other at every turn, their existence trivialised and struggles denied; the off cuts tossed to feed the rabid hounds of neoliberalism,” said lead singer Joe Hicklin of the inspiration behind the track.“The song is about all of this from the perspective of declining mental health whilst trying to make a living as an artist and to break through in a time and place where a life In art is seen as a luxury granted to those of a higher social class or a fruitless pursuit for idealistic fools.”Check out the single below.The alternative duo first announced details of their debut album last month, when they revealed the details around the LP and dropped the first teaser ‘Dust Off / Start Again’.According to the band, both tracks capture the essence of the forthcoming album, and look to unite them with listeners through their “common struggles”.“‘Postindustrial Hometown Blues’ is an album about depression.
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Nick Cave says new Bad Seeds album ‘Wild God’ is “full of secrets”
Nick Cave has shared more insight into what fans can expect from his new album, saying that the project is “full of secrets”.The Bad Seeds frontman announced details of his new album ‘Wild God’ last week (March 6) – dropping the full tracklist and artwork to the LP, as well as the intriguing title track.Set for release on August 30, the album is co-produced by longtime collaborator Warren Ellis, and was described by Cave as both “a complicated record” as well as “deeply and joyously infectious”.Now, the songwriter has taken to his blog (The Red Hand Files) to answer fan questions about what they can expect from the full album.“I don’t want to say much about the album itself until it is released in August and you get to hear all the songs, but I can tell you that it is a record full of secrets,” he began. “It is made up of a series of complex and interlinking narratives, the title song ‘Wild God’ being the primary point of propulsion, with the songs all feeding off each other – not so much to tell a story, but to rally round an acutely vulnerable and mysterious ‘event’ that resides at the heart of the album’s central song, ‘Conversion’.“I’m excited for everyone to hear the whole thing,” he added.“Then I can tell you a few things that you really must know – like what exactly Anita is talking about, why Kris Kristofferson walks in and out of the truly epic ‘Frogs’, what the real life event in ‘Conversion’ is, why this record is so joyful when almost everyone in the songs is dead, why my wife finally awakens after years of sleep, what is the actual name of the narrator in ‘Long Dark Night’, who are the dozen white vampires in ‘Cinnamon Horses’, and why there is so much damn water.
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Festival Republic launch ReBalance for emerging women and non-binary artists: “I hope that more people give them the same opportunity”
NME about the launch of their new ReBalance initiativ eand his commitment to supporting emerging women and non-binary artists..The festival boss, who is behind Reading & Leeds, Download and more, spoke to NME around the relaunch ReBalance – a year-long development programme that provides opportunities to women and gender-expansive artists throughout the UK.Initially, the programme was launched in 2017 and ran for three years, before ultimately being shelved due to COVID. Now, six up-and-coming acts have been announced as participating in the revamped 2024 programme, and are set to receive expert mentorship in the studio, as well as a guaranteed slot at a Festival Republic event in 2025.“I launched it in 2017 because it was apparent — and continues to be apparent — that there is an insufficient number of women and non-binary people getting into recording studios and getting their albums made to the standard where they can get airplay,” Benn told NME, explaining how the initiative looks to offer more than just the opportunity to perform on a festival stage.“It’s the easiest thing in the world to just put more women and non-binary people on a stage at a festival, but if the audience don’t know them, they won’t receive them well and that won’t do their career any good,” he continued.
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