Hoping Not To Be Gone In A ‘Flash’: DC Pic Eyes $155M+ WW Opening – Box Office Preview

layoffs of several other members of the network’s top brass amid cuts of 100 staffers across Warner Bros. Discovery’s U.S.

Sony’s mission to return comedy to the big screen with the R-rated Jennifer Lawrence movie No Hard Feelings began Thursday, when the film grossed $2.15 million from showtimes that began at 4 p.m. at 2,745 locations. The pic hopes to do around $12M this weekend in what will be second session where Warner Bros’ misfire The Flash hopes not take a -70% tumble. At the low end that’s $16.5M. A good hold will be off 55% to north of $24M.

HBO’s potential deal to license a slew of library titles to rival Netflix, as revealed by Deadline, was met with derision by some, another example of Warner Bros. Discovery boss David Zaslav selling off the crown jewels to hit his savings targets.

Zack Sharf Digital News Director SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. “I finally got to see Nic Cage be Superman. It has been an absolute delight for me,” Kevin Smith recently told Rolling Stone about watching “The Flash.” The film and that Cage-as-Superman cameo near the end is a full circle moment for Smith, who was the screenwriter of the studio’s infamous “Superman Lives.” After launching the Batman movie franchise for Warner Bros. to great success, Tim Burton turned his attention towards Superman in 1998 with the development of “Superman Lives.” Smith penned the script, which focused on Superman’s fight against Doomsday. Despite spending over $30 million on the film’s casting and pre-production, Warner Bros. pulled the plug on “Superman Lives” due to creative differences.

Warner Bros DC’s The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independent Day stretch. That weekend 2 slide for The Flash reps a 55% to 70% decline.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story mentions a few significant plot developments in “The Flash,” currently playing in theaters. In the climax of “The Flash,” Barry Allen (Ezra Miller) watches helplessly as his timeline-hopping escapades cause several other superhero universes to careen into each other and become obliterated in the process. Ironically, Warner Bros. is facing almost an identical dilemma — and the stakes could be nearly as existential. “The Flash” is the second of four mega-budgeted DC adaptations the studio is set to release this year, starting with “Shazam! Fury of the Gods” in March, and followed by “Blue Beetle” and “Aquaman and the Lost Kingdom” in August and December. Yet these movies were conceived and greenlit by an executive team that all have departed the studio; in their place, new DC Studios chiefs James Gunn and Peter Safran have announced they will reboot the DC franchise in 2025, starting with Gunn’s “Superman: Legacy.”

Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.

Last week was a good one for the NHL’s Golden Knights, who won the Stanley Cup, but not for The CW’s Gotham Knights, which was canceled after its freshman season. Today Misha Collins, also starred as the dashing, idealistic District Attorney and Gotham City mayoral candidate Harvey Dent, took to social media to reflect on the superhero series and that its Bat Brat fans.

**Spoilers for “The Flash” below. You’ve been warned…** After years of delays (including multiple filmmakers coming and going, as well as a global pandemic), Warner Bros.

DC and Warner Bros.’ long-in-the-works superhero movie “The Flash” opened to $55 million in its first three days in North American theatres, according to studio estimates on Sunday.

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Rebecca Rubin Film and Media Reporter After struggling at the domestic box office, this weekend’s two major releases — the Warner Bros. superhero adaptation “The Flash” and Disney’s Pixar adventure “Elemental” — failed to catch fire with international audiences. “The Flash” pulled in $75 million in its international box office debut, which doesn’t sound all that bad… except when considering the movie is available in 78 overseas markets. That means it failed to hit $1 million in the vast majority of the territories in play. China led the way with a lackluster $13.8 million, followed by Mexico with $9.4 million, the United Kingdom with $5.3 million, Korea with $3.7 million and Brazil with $3.5 million.

Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic.

Rotten Tomatoes.Both of those audience metrics are below what was received for “Black Adam,” a DC film that opened to $67 million domestic and $140 million worldwide last fall and which “The Flash” had long been expected to top. “Black Adam” grossed just $393 million against a $200 million budget before marketing costs, and it is now likely that “Flash” will fall below that total from a similar if not higher budget.

Rebecca Rubin Film and Media Reporter “The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of the box office lightweights. This weekend’s two new releases were once expected to ignite the summer box office but instead entirely missed the mark, as “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both of those films fell short of already-low expectations. And worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs. In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made.” Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent his mother’s murder and inadvertently cracks open the DC multiverse. (Cameos abound!) But its tepid “B” CinemaScore from opening weekend crowds suggests that the moviegoing masses didn’t entirely agree with the lavish praise bestowed on the film by the people who made it. Without positive audience scores or strong word-of-mouth, “The Flash” will struggle to rebound in the coming weeks, especially as summer season heats up with the release of “Indiana Jones and the Dial of Destiny” on June 30, “Mission: Impossible 7” on July 12 and Christopher Nolan’s “Oppenheimer” on July 21.

“The Flash,” the long-in-the-works standalone superhero film that DC co-chief James Gunn called “one of the best superhero movies I’ve seen.” Starring Ezra Miller, the film brings together multiple DC worlds as The Flash races into the multiverse to change the past, crossing paths with Michael Keaton’s Batman from the Tim Burton films, a brand new Supergirl (played by Sasha Calle) and plenty more courtesy of some major cameos and surprises.Right now, “The Flash” is playing exclusively in theaters. But you may be wondering, when is “The Flash” movie streaming on Max? All your questions answered below.The film was released exclusively in theaters on June 16.Like all Warner Bros.

The Flash (★★★☆☆), look no further than IMDb, which has listed every single (uncredited) appearance on the movie’s full cast list. Some cameos are clever, while others are slightly creepy –- yet another example of CGI eerily resurrecting the dead.

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.

There are a lot of lessons to be learned this weekend, but chief among them, is what’s it like for a major motion picture studio to open a movie with largely a number of its cast, primarily its main star, not available to do press. That’s the big looming question which has been on everyone’s minds in the wake of Ezra Miller’s tabloid laden 2020-2022 in regards to Warner Bros. DC’s $200M The Flash, which isn’t looking good with a 3-day around $60M, off from the $70M-$75M the studio was expecting. The studio is still expecting the Juneteenth holiday to deliver and get the film to $70M over 4-days (if that’s the case, that’s the first time the Federal holiday, which has not proven itself to be a big moviegoing day yet, has yielded a daily gross for a movie north of $10M; last year Universal’s Jurassic World: Dominion made only $8.6M on the Juneteenth Monday holiday). The pic did $24.5M yesterday (which includes Thursday previews). Other studios see these figures lower. Given the $9.7M previews last night, at a glance, it looked like Flash had the potential to over-deliver and beat its weekend estimates, and that’s looking less likely now. Should the movie have gone straight to Warners streaming service Max? Absolutely not. They need to make as much money as they can, and that’s through windows.

Miller’s well-documented antics in the months following filming — it was the first time the actor had been seen in public in almost a year.Sporting a white suit jacket with black detailing and long wavy hair with a topknot and braids, Miller told “Flash” director Andy Muschietti on the red carpet: “I love you, maestro. I think you are amazing, and I think your work is monumental.”It was the actor’s first public comments since a raft of stories last year about erratic behavior in Hawaii and Iceland as well as their home in Vermont.Miller, who uses them/they pronouns, has been holed up at their Vermont farm for the past year while undergoing outpatient mental health treatment, their publicist told The Post.“The Flash” has gotten good-to-mixed reviews, with The Post’s Johnny Oleksinski calling it “good fun” and raving that Miller “is DC’s much-needed answer to Tom Holland’s embraceable Spider-Man.”Meanwhile, Twitter was awash with criticism of the actor this week, calling Miller an “abuser” and a “groomer,” but their rep said Miller is getting real help and is recovering.“This is not a publicity thing,” the rep said.

Jordan Moreau Warner Bros. and DC Studios’ tentpole summer release, “The Flash,” finally hits theaters this weekend, but the superhero movie had been beset by delays and off-screen controversies involving star Ezra Miller in the years before its release. “The Flash” was initially revealed back in October 2014 as part of the inaugural DC Universe slate. It received a 2018 release date, alongside eventual releases like “Batman v Superman: Dawn of Justice,” “Suicide Squad,” “Wonder Woman,” “Aquaman” and “Shazam.” However, parts of that plan didn’t come to fruition. Standalone “Cyborg” and “Green Lantern” movies were scrapped, and a two-part “Justice League” movie by Zack Snyder became one film.

SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. Ezra Miller’s speedy superhero tears apart the DC Universe in the multiverse-hopping movie, “The Flash.” After first appearing in cameos in “Batman v Superman: Dawn of Justice” and “Suicide Squad,” the Flash finally gets his own standalone movie, full of surprise appearances and shocking cameos.

The Flash director Andy Muschietti has hit back at claims that the new DC movie has bad CGI.In the build up to the film’s release, many fans shared clips of the trailer on Twitter and mocked the superhero movie’s special effects.In a new interview with i09, Msuchietti addressed the criticism head-on, and said that the “weird” look of the film’s CGI was completely intentional.The director was discussing one scene in particular, in which The Flash/Barry Allen (Ezra Miller) is seen saving babies from a nursery as a building begins collapse around him.Muschietti said: “We are in the perspective of The Flash. Everything is distorted in terms of lights and textures.

Tom Felton is getting back into character as Draco Malfoy.

The Flash” is here, and if you’ve seen it, you probably have a lot of questions about what it all, especially that cacophonous ending, means for the DC Universe.In the film, Barry Allen (Ezra Miller) travels back in time and to other dimensions in an effort to save his mom’s life (and that of his father, who was wrongly convicted of her murder). Along the way he interacts with at least two actors playing Batman — Ben Affleck from Zack Snyder’s films, and Michael Keaton, who last played the role in 1992’s “Batman Returns” — alongside a whole lot of other characters.

Andy Muschietti has landed his next role in the DC Universe!

Zack Sharf Digital News Director SPOILER ALERT: This story contains minor spoilers from “The Flash,” now playing in theaters nationwide. Reviews for Warner Bros.’ long-in-the-works “The Flash” movie have been largely favorable to mixed, but most critics agree the film is the latest comic book tentpole to suffer from unappealing visual effects. Leaked scenes on social media have also led to fan bafflement over the film’s VFX, especially an opening sequence in which Ezra Miller’s superhero speeds to Gotham City to save a bunch of falling babies from a collapsing hospital. To say the VFX babies in “The Flash” opening scene are rendered in a hugely un-human way would be an understatement. The same goes for all of the human characters who appear during the movie’s many time travel sequences. Suffice to say, none of them look human at all.

Andy Muschietti, director of “The Flash”, is returning to the DC  Universe.

Jordan Moreau “The Flash” is racing ahead at the box office, picking up $9.7 million in previews at the box office. The Warner Bros. film, starring Ezra Miller as the DC Comics speedster and helmed by “It” director Andy Muschietti, has endured a long and rocky road to theaters, but it’s finally opening this weekend. “The Flash” is projected to earn around $70 million in its first weekend, with some predictions as high as $85 million and others as low as $68 million. That expected opening is in line with previous DC Studios projects like last year’s “Black Adam” and 2018’s “Aquaman,” which both debuted to $67 million — but Warner Bros. is surely hoping that “The Flash” takes more after his “Justice League” companion than Dwayne Johnson’s antihero. “Black Adam” stalled out with $168 million domestically and less than $400 million globally, while Jason Momoa’s “Aquaman” surfed to $335 million in North America and $1.14 billion worldwide. Without question, “The Flash” will perform better than March’s “Shazam: Fury of the Gods,” which opened with $30 million and ended its domestic run with just $57 million. In terms of Thursday previews, “Black Adam” collected $7.6 million, “Aquaman” had $9 million and “Shazam: Fury of the Gods” made $3.4 million.

Matt Donnelly Senior Film Writer Andy Muschietti is officially suiting up to direct a new Batman film, Variety can report exclusively. The film is one of several new DC Studios titles mapped out by leaders James Gunn and Peter Safran earlier this year. Muschietti, behind this weekend’s superhero release “The Flash,” will direct “Batman: The Brave and the Bold.” The project is based on the comic series authored by Grant Morrison, who Gunn called “exceptionally influential” on in the DC Universe in January. The comics imagine a “Bat family,” where Bruce Wayne’s biological son Damian serves as Robin to his dad’s Batman. Muschietti’s sister and creative partner Barbara will produce the project via their label Double Dream, alongside Gunn and Safran.

The Flash director Andy Muschietti and producer Barbara Muschietti have confirmed that Tom Cruise called them to praise the latest DC superhero film.Speaking to Total Film Magazine, Andy Muschietti said that Tom Cruise and Stephen King were sent early copies of the film, and that both of them had praised the movie. King publicly praised the film in May, writing on Twitter: “As a rule, I don’t care a lot for superhero movies, but this one is special.

When Christopher Nolan‘s “Oppenheimer” hits theaters next month, it marks the first film by the director not produced by Warner Bros. in nearly 20 years.

EXCLUSIVE: Warner Bros./DC’s The Flashper box office sources is playing like a deeper universe superhero movie with around $9M in Thursday night previews which began at 3PM. While the pic’s critical score on Rotten Tomatoes has fallen to 67% fresh from 71% fresh, audiences are enjoying it more at 88%. That’s a good sign.

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.

Ezra Miller’s erratic behavior that landed the star in court in Hawaii and Vermont in 2022, to the Warner Bros. shakeup in October 2022 that led to James Gunn and Peter Safran taking over the limping DC Studios.Running time: 144 minutes.

Zack Sharf Digital News Director Warner Bros.’ “The Flash” already made a few high profile fans before its theatrical release. Horror icon Stephen King got to see an early screening of the DC tentpole and raved on Twitter, “This one is special. It’s heartfelt, funny, and eye-popping. I loved it.” A report from THR also claimed that Tom Cruise was treated to an early look of the film and loved it so much that he personally called director Andy Muschietti to share raves. In a recent interview with Total Film magazine, Andy Muschietti and “The Flash” producer Barbara Muschietti confirmed Cruise’s phone call. “If anything, [we got] more confidence in the thing that we did, because the movie was finished by the time that [Cruise and King] saw it,” Andy said about getting pre-release praise from King and Cruise. “It was a confidence boost if anything.”