Leonor Teles questions the stability of both. “Baan” (Thai for home) reimagines the world of a lovelorn person coming to terms with her own loneliness through a quasi-magical shift between Bangkok and Lisbon.
Part of Locarno’s main competition, “Baan” follows a young woman named L. (Carolina Miragaia) on her emotional journey, as she meets, falls for, and recovers from a serendipitous encounter with the elusive K. (Meghna Lall).
L. is an architect, but she is not bound to any place or home in particular. Instead, she sublimates the now-lost intimacy wandering through the city at sunrise, on the road to self-discovery.
With its idiosyncrasies, “Baan” fits well within the catalog of its production company, Uma Pedra no Sapato, and its support for the brazen voices of Portuguese cinema, old and new, such as Filipa Reis and Monica Lima.
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