John Malkovich: Celebs Rumors

+49

Bleachers release ‘Almost Like Being In Love’, from Jack Antonoff’s soundtrack for ‘The New Look’

Bleachers have released their cover of ‘Almost Like Being in Love’, the final track from the all-star soundtrack to the new TV series The New Look. Listen below.The 10-song soundtrack album has been curated and produced by Bleachers’ own Jack Antonoff, a compilation of covers of early to mid-20th-century songs by contemporary artists.‘Almost Like Being in Love’ was written by legendary songwriting team Alan Jay Lerner and Frederick Loewe for the musical Brigadoon, and has been recorded by Nat ‘King’ Cole, Frank Sinatra and Ella Fitzgerald.Listen to Bleachers’ version below:Per an official synopsis, the new Apple TV+ series ‘The New Look’ delves into “the shocking story of how fashion icon Christian Dior and his contemporaries, including Coco Chanel, Pierre Balmain and Cristóbal Balenciaga, navigated the horrors of World War II and launched modern fashion”.It stars Emmy Award-winner Ben Mendelsohn as Christian Dior, and Academy Award-winner Juliette Binoche as Coco Chanel.
nme.com

All news where John Malkovich is mentioned

nypost.com
High fashion clashes with Nazi collaborators in the Apple TV+ series ‘The New Look’
Apple TV+ series traces the modern French fashion world through the eyes of acclaimed haute couture designers Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche) amid Nazi-occupied Paris and how each of them, and their compatriots, dealt with that adversity with different shadings of complicity.Created by Todd Kessler (“Bloodline”), “The New Look” co-stars John Malkovich as Lucien Lelong, Dior’s first boss; Maisie Williams as Dior’s French-resistance fighter sister, Catherine; Claes Bang as Nazi operator Spatz, with whom Chanel consorts; Emily Mortimer as Chanel’s sketchy friend Elsa Lombardi; and Glenn Close as powerful Harper’s Bazaar Editor-in-Chief Carmel Snow. Mendelsohn, Binoche and Malkovich spoke to The Post about their characters’ motivations.When we first meet Dior, he’s happy working for Lelong and somewhat ambiguous about the Nazis, designing ball gowns for officers’ wives but refusing to meet with any of them in person. But when Catherine is taken prisoner by the Nazis — and sent to Ravensbrück, a deadly work camp — Dior’s attitude toward the war changes.Mendelsohn: “[Getting Catherine back] becomes his absolute raison d’etre from that point on.
DMCA