Warwick Thornton, the First Nations Australian director, after the screening of his film “The New Boy,” a story of spirituality and survival set in 1940s, that was the opening night title of the Sydney Film Festival. “The energy you give back to these children…,” he said before tailing off.
It was a churning, heartfelt moment that contrasted with Thornton’s bouncy earlier appearance on stage, when he joshed about having told the eight untrained school-age kids in his cast never to look directly at the camera while on set.
And how he had to reverse that advice for when they, along with producer Kath Shelper, dominated the red carpet at Sydney’s grand State Theatre.
Smile and wave for the paparazzi. The film had premiered last month in competition at Cannes and was overlooked for major awards.
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