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‘Rye Lane’ Sundance Review: A Sunny, Irreverent Tribute To British Rom-Com Forebears

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Breathing fresh life into the rom-com genre, Raine Allen Miller’s Rye Lane is a delight. Premiering at Sundance, it pays affectionate tribute to its forebears while injecting a youthful British energy reminiscent of seminal TV shows such as Skins.

This is a sunny, irreverent take on life and love, following two strangers over the course of one eventful day, and more — though it’s at its most exhilarating when playing out in real time, Before Sunrise-style. RELATED: Sundance Film Festival U.S.

Dramatic Grand Jury Prize Winners Through The Years – Photo Gallery The opening scenes capture the culture clashes and archetypes of contemporary South London — or Peckham, to be precise, which is home to the titular Rye Lane.

Flitting between the cubicles in a unisex bar toilet, the aerial camera shows a young man being beaten up, a parent changing a baby’s nappy, teens taking selfies, girlfriends drinking and vomiting.

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