Jupiter Shampoo Review: A Dandruff Treatment That Actually Works

Jessica Kiang The quote that opens Chinese director Liu Jian’s shaggy but amiable new animated feature is instructive. “To live, to err, to fall, to triumph, to recreate life out of life” is a passage from James Joyce’s “A Portrait of the Artist as a Young Man,” and indeed, Liu was himself at art college as a young man in the early ’90s, when and where “Art College 1994” is, unsurprisingly, set. The quasi-memoir feel to the movie does have its charm — it’s always a kick to see animation techniques applied not to extravagant flights of fancy but to slices of real, ordinary life — but it’s also its chief flaw. In re-creating life out of life, Liu is quite successful; whether he makes it into drama is another question. Like its characters, “Art College 1994” gives the impression of having just too much time on its hands.

Even combat veterans can cry.

The films of Jennifer Reeder have an unmistakable vibe. Her acclaimed short films, including “All Small Bodies” and “Crystal Lake,” have been shown on The Criterion Channel, and her feature film “Knives and Skin” has been shown at Berlin and Tribeca.  READ MORE: ‘Inside’ Review: Vasilis Katsoupis’ Heist Thriller With Willem Dafoe Is Formulaic Yet Never Dull [Berlin] Reeder’s films, which have been described as the meeting point between David Lynch and John Hughes, share little in terms of plot, but all bear an unmistakable eeriness, an otherworldliness that could only be Reeder.

At certain times in Emily Atef’s eponymous adaptation of Daniela Krien’s novel “Someday We’ll Tell Each Other Everything,” all one can hear is the irregular breathing of Maria (Marlene Burow). The molecules of oxygen leave the sprawling fields of rural Germany and hastily make their way through the young girl’s lungs, the surge of adrenaline in her bloodstream directly increasing the frequency of respiration.

Ant-Man and the Wasp: Quantumania” is taking a greater toll on its box office than anticipated. The film grossed just $8.2 million on its second Friday — a colossal 82% drop from its $46.4 million opening day — and its weekend total is projected to drop 71% from $106 million last weekend to $30 million this weekend.

Jessica Kiang Misery loves company, which may account for Portuguese director João Canijo’s decision to split his angst-ridden hotel-set project into two complementary films. Both were selected for the Berlinale, with the half centered on the hotel guests (“Living Bad”) landing in the Encounters section, and “Bad Living,” which revolves around the hotel staff, taking a main competition slot. It makes reviewing one without reference to the other something of an exercise in shadowboxing, especially when, as in “Bad Living,” the minute observation of its deteriorating female relationships could have used some kind of counterpoint, if only to make an unremittingly bleak, fractious 127 minutes pass a little faster. They may work in hospitality, but the women of “Bad Living” live in a draining, near-permanent state of hostility. 

Reba McEntire has had a very good week! The singer had not one, but two reasons to celebrate and delighted her fans with both personal and professional news. On Wednesday, the country music star was named as a Mega Mentor on the singing show The Voice when it returns for season 23. Reba will advise Blake Shelton and his fellow coaches, Kelly Clarkson (who is her former daughter-in-law), Chance the Rapper, Niall Horan and their team members ahead of the Knockout Rounds.WATCH: Reba McEntire reveals how she met boyfriend Rex LinnShe starred on the show back in 2011 and was even asked to be a permanent judge, but turned down the opportunity as she didn't want to be tied down to a longtime project. Away from the spotlight, Reba also had reason to celebrate at home as her son, Shelby Blackstock, had a birthday. SEE: Reba McEntire's former $5m Nashville home is now a five-star resort – see insideREAD: Reba McEntire admits she was in a 'tailspin' after heartbreaking death of her momThe professional race car driver turned 33 on February 23, and his famous mom took to Instagram to wish him a happy birthday. A post shared by Reba (@reba)Reba paid tribute to her son Shelby and called him her 'best accomplishment'Alongside several images of Shelby as a child and today, she wrote: "Happy birthday Shelby! Best accomplishment I’ve ever done in my life! Love you so much."Fans loved the look into her private life and commented: "HBD Shel’billy! You’re a keeper…& mom’s right: You’re a pretty cool dude," and, "Happy Birthday Shelby. Great kid.

Snoop Dogg says the secret to a happy marriage is being a yes-man and always giving his other half what she wants. The 51-year-old rapper - who has Corde, 28, Cordell, 25, and Cori, 23, with wife Shante Taylor and son Julian, 25, with ex Laurie Holmond - has been married since 1997 and revealed it's best to let his "soulmate" get her own way. Asked what the recipe for a healthy marriage is, he told In Touch US: "Giving them everything they want, getting out the way, saying yes, yes, yes.

Guy Lodge Film Critic “Till the End of the Night” opens with what initially seems a Brechtian flourish: a nifty time-lapse shot of a bare shell of an apartment being painted, fitted, decorated and accessorized to an apparently lived-in state, as a vintage German torch song by Heidi Brühl crackles over the soundtrack. It’s not a film set being dressed, however, but a police one — the home base for an elaborate undercover investigation. It’s not the first time Christoph Hochhäusler’s romantic detective thriller will hint at subversive ambitions that turn out, upon closer investigation, to be rather conventional. Tossing a fraught transgender love story in the middle of an otherwise standard cop procedural, the film doesn’t much satisfy on either level, with superficial sexual politics and slack suspense. Despite a Berlinale competition slot, prospects beyond home turf appear limited.

Strictly Come Dancing star Dianne Buswell seems to have shut down recent rumours she’d "split" from her partner of four years Joe Sugg, after posting a naked photo of him to Instagram. Some fans had speculated about the couple’s relationship after they spent Christmas apart and seemed to have taken a break from appearing on each other’s profiles. But in her latest post, Diane, 33, proved that the couple’s relationship is as strong as ever as she updated fans on her life with a series of Instagram photos.

Geordie Shore star Chloe Ferry has had an incredible transformation since she joined the MTV show eight years ago, previously admitting she has spent more than £50,000 on surgery. And the 27 year old looked almost unrecognisable as she took to Instagram Stories to share a throwback childhood snap. In the photo, a six year old Chloe, who recently stripped down to a tiny bikini as she enjoyed a relaxing spa day, can be seen sporting a fringe as she sat alongside a pal.

EXCLUSIVE: HBO Films has closed a deal for U.S. rights to the Berlin Film Festival buzz competition title Reality. Directed by Tina Satter, the docudrama is a breakout turn for Sydney Sweeney as convicted classified document leaker Reality Winner. Sweeney stars in the hit HBO series Euphoria.

Peter Debruge Chief Film Critic Presented largely from the point of view of two children, Mexican director Lila Avilés’ intimate, emotionally rich Berlin competition entry “Tótem” immerses audiences in a boisterous family gathering, where a handful of adult siblings have gathered to celebrate the birthday of their brother, a painter named Tonatiuh (Mateo Garcia). “Tona” is barely seen for most of the movie, confined to a back room where he refuses visitors. Naturally, this confuses 7-year-old Sol (Naíma Sentíes), who spends the day wandering the house alone, building a pillow fort in the living room or collecting snails in the garden. “Sometimes I feel like my dad doesn’t love me when he says he doesn’t want to see me,” Sol confides to her father’s trusted nurse, Cruz (Teresita Sánchez, the lone carryover from Avilés’ exceptional 2018 debut, “The Chambermaid”). Your heart can’t help but break a little in that moment, for by this time, Avilés has already provided enough clues for us to sketch out the rough situation in our heads.

Simon Cowell's got a very specific reason for why he'd be on board for another run of, and if Britney Spears would rejoin him in that venture, even better.When ET's Will Marfuggi spoke to Cowell in November at the finale red carpet event in Los Angeles, the famed TV personality explained why singing competitions like, and are absolutely necessary, even in a digital age where anyone can find stardom on platforms like YouTube.In short, there's a ton of undiscovered talent out there, and therein lies the purpose of the singing competitions and the driving point behind Cowell returning to, which is reportedly in talks about a revival on NBC.«When I did, it was with the rationale there has to be a number of people who are brilliant who can't get record deals,» Cowell explained. «Kelly Clarkson, Carrie Underwood, it was absolutely worthwhile.

Joe Exotic‘s health issues have worsened, but he doesn’t want to do anything about it.

"The Shining" star Shelley Duvall is taking a trip down memory lane. In an interview with Fox News Digital, Duvall, 73, recalled working alongside Jack Nicholson on one of the most iconic movies in film history. Referring to him as a "classic," Duvall said, "He's the greatest.

EXCLUSIVE: Hulu is developing Girlshow, from Sally Bradford McKenna (Son Of Zorn) and Ro Donnelly and Dakota Johnson’s TeaTime Pictures, with Search Party alumna Meredith Hagner attached to star. Boat Rocker, which has a stake in TeaTime, produces through its first-look deal with the production company.

The fab four! Alison Sweeney has been a Hallmark Channel staple since 2013’s Second Chances — but her role as a wife and mother dates back to 2000.

Forget the “Ghostbusters.” It’s the doctors you’ll want to call after watching “We Have a Ghost.” A film about a dead father, this picture will give you more headaches than nightmares, more sulks than shivers. The film takes the premise of haunted house movies–the ones where a monster lives upstairs–and tries to update it for a younger crowd.

Guy Lodge Film Critic Trends in documentary-making have shifted radically since Nicolas Philibert’s “Être et Avoir” was a surprise arthouse hit two decades ago: That sweetly observational little film, following the ins and outs of a village elementary school over the course of a year, seems a quaintly modest proposition beside today’s more slickly immersive and narrativized nonfiction breakouts. If times have changed, however, Philibert has not. “On the Adamant,” his first feature in 10 years, finds him once more examining the human workings of a care-based institution from a reserved but compassionate distance, avoiding commentary and editorialization in favor of real-life character portraiture. It turns out to be the right approach for the institution under scrutiny: The Adamant, a day-care center in central Paris for adults with a variety of mental disorders, offering its visitors a range of therapy, education and cultural activity. The human subjects here are both expressive and highly vulnerable, open to the low-key, non-invasive presence of Philibert’s camera, and the film is content to be an undulating patchwork of their everyday moods and moments, rather than anything more strenuously conceptual. Suited to specialist distributors and streaming platforms, “On the Adamant” might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts: A premiere slot in Berlin’s main competition, alongside much sleeker, more formally ambitious fiction fare, effectively welcomes him back to the auteur leagues.

Elizabeth Wagmeister Senior Correspondent Harvey Weinstein was sentenced to an additional 16 years in prison on Thursday, but his lawyers will continue to fight for the disgraced producer to live a life outside of jail, pledging to appeal his Los Angeles conviction. Weinstein’s defense, led by Mark Werksman and Alan Jackson, is finalizing their notice for appeal and is expected to file as soon as late Friday or mid-next week, Variety has learned. Werksman and Jackson did not immediately respond for comment, but at Weinstein’s sentencing, they told the judge that they planned to appeal. When contacted by Variety regarding the appeal, Weinstein’s spokesperson, Juda Engelmayer, provided a statement claiming that Weinstein had an unfair trial.

Lord Of The Rings films, but not everyone is happy about it.Warner Bros Discovery’s CEO, David Zaslav, announced on an investors’ call on Thursday that a deal had been brokered to make “multiple” films based on J. R.

There’s a moment in “Bruiser,” a somber, lyrical coming-of-age tale set during a difficult Alabama summer, which speaks to the corrosive battle at the heart of the film. “You got a disease in your heart.

Blake Shelton has had quite the run over the course of his 22 seasons on !The only coach who has been a part of every season of the NBC singing competition, The Cowboy is finally hanging it up after the show's upcoming 23rd season — and he's leaving some big boots to fill.From winning a record nine titles on the show, to working with some of the biggest names in music, to meeting his future wife, Gwen Stefani, it seems there's nothing Blake hasn't done throughout his time on So, in celebration of his final season, we're taking a comprehensive look back at all the winning singers, fellow coaches and mega-star music mentors that Blake has worked with over the years.- season 2Jermaine Paul got two chairs to turn with his Blind Audition performance of Avril Lavigne's «Complicated.» After choosing Blake over CeeLo Green, Paul was saved twice — once by his coach and once by the public vote — to make it to the final 4, where his performances of «I Believe I Can Fly» and Dave Barnes' «God Gave Me You» gave him the edge to win the season 2 title.- season 3Cassadee Pope got her musical start with the pop-punk band Hey Monday, but her solo breakthrough came on season 3, where she wowed the coaches, scoring a four-chair turn for her cover of Natalie Imbruglia's «Torn.» After a series of saves by her coaches and the public vote, Cassadee made it to the Top 3, where her performances of Miranda Lambert's «Over You» and Faith Hill's «Cry» sealed her big win. — season 4Danielle Bradbery got three chairs to turn for her Blind Audition performance of Taylor Swift's «Mean» in season 4, but she went with the reigning champ and joined Team Blake.

Loose Women panellist Kaye Adams looked unrecognisable on Friday morning's show as they shared a black and white throwback picture of the presenter in her younger days.

It’s no secret that Brendan Fraser is in the midst of his “Brenaissance” after winning rave reviews for his Oscar-nominated performance as a morbidly obese English teacher Charlie in “The Whale”.

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Middle Earth is returning to the big screen.

Stretching the phrase “inspired by true events” to its bare limits, Cocaine Bear (★★★☆☆) takes off from the stranger-than-fiction real-life tale of a Kentucky drug runner who, in 1985, dumped bundles of cocaine from a plane over Georgia, then perished trying to parachute after the drugs, a large, expensive portion of which were found and somehow consumed by a 500-lb. black bear deep in the Georgia woods.Anyone interested in the dead-serious facts of the case can grab a copy of Sally Denton’s comprehensive chronicle The Bluegrass Conspiracy, originally published in 1990.This movie, on the other hand, takes a bold leap off that plane with Thornton’s duffel bags full of brown paper-wrapped bricks of blow, and never looks back.Directed by Pitch Perfect mogul Elizabeth Banks, and scripted by Jimmy Warden, Cocaine Bear leaves no gruesome gag unturned, no outrageous one-liner untold, serving up the sort of anything-goes big-screen comedy that comes along rarely.Mid-rampage, the coke-fueled bear snorts a line off someone’s severed leg.

Bauty fans are raving about a £12 Boots 'anti-ageing' foundation that instantly knocks 'years off' the skin and gives an unrivalled 'flawless finish' akin to more expensive designer brands. Shoppers have been so impressed by the £12 foundation, they're calling it 'magic', and it's quickly selling out.

Content warning: this article discusses rape and sexual assault.Harvey Weinstein has been sentenced to 16 additional years in prison, three months after he was convicted on three counts of rape and sexual assault.The disgraced film producer is currently serving a 23-year sentence for a 2020 conviction of two counts of rape and sexual assault in New York. With his new sentence, his remaining prison time has nearly doubled.In December, Weinstein was found guilty on three counts of rape and sexual assault against  a European model and actor who testified anonymously as “Jane Doe #1”.

Dumbarton Castle has reopened its doors after being closed for essential conversation work.

Organisers are hoping a fundraising event being at Blackburn Partnership Centre for teens will be a raving success.

Todd Gilchrist editor Boasting an intriguing premise, a compelling ensemble and frequently crisp, handsome filmmaking, Mark Burman’s “Ambush” almost qualifies as an above-average Vietnam-era nailbiter — were it not for the hopelessly below-average performances contributed by the two actors whose names stand tallest in its credits block. Aaron Eckhart and Jonathan Rhys Meyers, usually complex and appealing even in roles as small as these, play characters perched lazily outside the main story while Connor Paolo, Gregory Sims, Jason Genao and others do the narrative heavy lifting that remains after their more sellable co-stars cashed their paychecks. Nevertheless smarter and more entertaining than one might expect from a small-scale, outwardly familiar story like this, “Ambush” feels like a throwback — mostly in a good way — to the ‘Namsploitation films that companies like Cannon churned out in the 1980s, when stories about the war were at their most commercially popular.

Guy Lodge Film Critic There’s a parched austerity to the landscape of the Australian outback, along with an embedded history of conflict between Indigenous and invading occupants, that makes it irresistibly well-suited to screen westerns. But there’s a loneliness to it, too, a sense that its quiet vastness could swallow you whole and without trace, that lends itself as easily to moody, smoky mystery. Aboriginal filmmaker Ivan Sen has twice before dabbled in the harsh, dry space where those genre possibilities overlap, in his features “Goldstone” and “Mystery Road.” In his latest, most accomplished film “Limbo,” he once more surveys the region with a critical eye, finding a history of racial injustice in its sharp cracks and long shadows. But the genre styling this time has been pushed all the way to stark, monochromatic stylization. This is outback noir — oblique, secretive and as hard-boiled as the ground is hard-baked — and Sen wears it well.

Jessica Kiang Given the reportedly frequent use of puppets as aids to the therapeutic process, one might expect a family of third-generation puppeteers to be among the most well-adjusted people in the world. Or among the least, given the other connotation of puppetry, as a conduit for demonic, psychotic or otherwise malign energies. Sadly, neither is the case with the clan in Philippe Garrel’s “The Plough,” a featherweight folderol even by the director’s uneven recent standards, which seems mainly conceived as a cozy way for the veteran director to spend a little time reminding his real-life family how much they will miss him when he’s gone. It’s all about relationships but for anyone not surnamed Garrel, trying to find anything much to relate to in “The Plough” is a lonely furrow indeed.