Chris Smith: Celebs Rumors

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Filmmaker Chris Smith on the Need for Scam Docs Like ‘Hollywood Con Queen’: ‘They Help Educate People’

Addie Morfoot Contributor In “Hollywood Con Queen,” director Chris Smith chronicles one of Hollywood’s most audacious scams that involved an impostor who posed as top entertainment studio executives to swindle aspiring artists. Based on the original reporting of entertainment journalist Scott Johnson, and his book, “Hollywood Con Queen: The Hunt for an Evil Genius,” the three-part Apple TV+ docuseries features first-hand accounts and insights from Johnson, private investigator Nicole Kotsianas, the alleged con artist, Hargobind Tahilramani, and his victims.
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‘Wham!’ Review: Chris Smith’s Netflix Doc Is an Irresistible Pop Nostalgia Trip, but It’s Also a Serious Portrait of George Michael’s Ambition
Owen Gleiberman Chief Film Critic Unabashed pop groups with fervid teenage followings tend to get trivialized, at least in the media. They’re dismissed as being slick and calculated and superficial. But there’s a story in “Wham!,” the new Netflix documentary about the quintessential pop duo of the 1980s, that testifies to what a chancy and audacious artist George Michael was even back in his teen-idol days. The year is 1983. Michael and Andrew Ridgeley, coming off their first album, “Fantastic” (which had a few hits, though none of them were great), have established Wham! as an effective lightweight pop machine, with its two young stars prancing around the stage in sexy sportswear. The time has come to record “Careless Whisper,” a song they’ve had in their back pocket for several years (we hear the super-early demo version of it that they recorded in 1981 in Ridgeley’s living room on a TEAC 4-track Portastudio). Michael has become enough of a powerhouse to hook up with Jerry Wexler, the legendary producer of Aretha Franklin and Ray Charles. He heads down to Muscle Shoals Sound Studio to record the track, with Wexler producing. What more could a 20-year-old budding pop star want?
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