Brett Morgen: Celebs Rumors

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thewrap.com
‘Everything Everywhere All at Once,’ ‘Women Talking’ Win Writers Guild Awards
*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert *WINNER“The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.
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Writers Guild Awards: Winners List (Updating Live)
*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert “The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.
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‘The Fabelmans,’ ‘Women Talking,’ ‘Everything Everywhere All at Once’ Land Writers Guild Nominations
ORIGINAL SCREENPLAYEverything Everywhere All At Once, Written by Daniel Kwan & Daniel Scheinert; A24The Fabelmans, Written by Steven Spielberg & Tony Kushner; Universal PicturesThe Menu, Written by Seth Reiss & Will Tracy; Searchlight PicturesNope, Written by Jordan Peele; Universal PicturesTár, Written by Todd Field; Focus FeaturesADAPTED SCREENPLAYBlack Panther: Wakanda Forever, Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics; Walt Disney Studios Motion PicturesGlass Onion: A Knives Out Mystery, Written by Rian Johnson; NetflixShe Said, Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey; Universal PicturesTop Gun: Maverick, Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.; Paramount PicturesWomen Talking, Screenplay by Sarah Polley, Based upon the Book by Miriam Toews; Orion Pictures/MGMDOCUMENTARY SCREENPLAY2nd Chance, Written by Ramin Bahrani; Showtime Documentary FilmsDownfall: The Case Against Boeing, Written by Mark Bailey & Keven McAlester; NetflixLast Flight Home, Written by Ondi Timoner; MTV Documentary FilmsMoonage Daydream, Written by Brett Morgen; Neon¡Viva Maestro!, Written by Theodore Braun; Greenwich Entertainment
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‘Good Night Oppy’ Wins Top Prize at Critics Choice Documentary Awards
Best Documentary Feature: “Good Night Oppy” (Amazon Studios)Silver medal winner: “Fire of Love” (National Geographic Documentary Films/Neon)Bronze medal winner: “Navalny” (HBO Max/CNN Films)Best Director: Ryan White – “Good Night Oppy” (Amazon Studios)Best First Documentary Feature: David Siev – “Bad Axe” (IFC Films)Best Cinematography: The Cinematography Team – “Our Great National Parks” (Netflix)Best Editing: Brett Morgen – “Moonage Daydream” (HBO/Neon)Best Score: Blake Neely – “Good Night Oppy” (Amazon Studios)Best Narration: “Good Night Oppy” (Amazon Studios)Written by Helen Kearns, Ryan White, performed by Angela BassettBest Archival Documentary: “Fire of Love” (National Geographic Documentary Films/Neon)Best Historical Documentary: “Descendant” (Netflix)Best Biographical Documentary: “Sidney” (Apple TV+)Best Music Documentary: “The Beatles: Get Back” (Disney+)Best Political Documentary: “Navalny” (HBO Max/CNN Films)Best Science/Nature Documentary: “Good Night Oppy” (Amazon Studios)Best Sports Documentary: (TIE) “Citizen Ashe” (Magnolia/HBO) and “Welcome to Wrexham” (FX/Hulu)Best Short Documentary: “Nuisance Bear” (The New Yorker)Best Limited Documentary Series: “The Beatles: Get Back” (Disney+)Best Ongoing Documentary Series: “30 for 30” (ESPN)The Pennebaker Award: Barbara KoppleCritics Choice Impact Award: Dawn Porter
variety.com
David Bowie’s Dazzling ‘Moonage Daydream’: A Superfan’s Review of the First Graduate School-Level Music Documentary
Jem Aswad Senior Music Editor The first thing to know before seeing “Moonage Daydream,” Brett Morgen’s dazzling, exhaustive and exhausting memoir of David Bowie’s life and career, is that it assumes the viewer already knows a lot about the subject — his relevance, his influence, the brilliance of so much of his music, and the basics of his personal history. Like another recent historical film about an oft-trodden subject — Todd Haynes’ “The Velvet Underground” — it eschews the standard, chronological, done-to-death “Behind the Music”-style template that has become a predictable default for music documentaries and finds a dramatically different way to tell the story. In the case of “Moonage Daydream” — the significance of the second word of the title in this impressionistic film cannot be overemphasized — that different way is to let the man himself do all of the talking: Literally the only voiceovers heard in this 135-minute-long film are from Bowie (presenting real or conveniently fictionalized accounts of his life and work) and various interviewers. While that makes for an unusually free-form approach to structuring a documentary (and was enormously challenging for Morgen, who worked on the film for over four years and suffered a heart attack while doing it), in many ways it’s freeing: Instead of a rigid timeline or forced, overarching theme dictating the narrative, Bowie’s words do.
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